Our galleries are ever-changing, with new installations occurring each month throughout the museums. This fall, we’re welcoming rarely seen works of art into our galleries and celebrating diverse materials and styles.
Two staff members from our Division of Academic and Public Programs discuss how the museums foster museum literacy and a sense of welcome among student visitors.
By Jen Thum, Sarah Lieberman
Upon director Martha Tedeschi’s departure after eight years of leadership, gifts of art were made in her honor.
By Jennifer Aubin
Looking for inspiration for your next visit? In this series, we highlight three recently installed objects in our permanent collections galleries.
By Tara Metal
In her print series Carving Out Time, LaToya Hobbs references works by seven Black American artists; Harvard graduate student Nora Rosengarten shares a reading list for visitors to learn more about the artists that inspire Hobbs.
By Nora M. Rosengarten
When Harvard introduced art history into the American academic curriculum in 1874, by way of Charles Eliot Norton, John Ruskin’s scholarship and teaching provided the model. This is the first of two articles about the foundation of art history as a discipline in the United States.
By Marjorie B. Cohn
German expressionist Karl Schmidt-Rottluff included a clay pipe bowl (Ki-kuet pue) from the Bamum Kingdom (modern-day Republic of Cameroon) in his painting. How did this object become part of his private collection?
By Clemens Ottenhausen
Why is there a ❤️ on an ancient Roman wall painting fragment? Former graduate student intern Vivian Jin takes a deeper look at a series of objects at the museums that trace the symbolic evolution of the heart symbol.
By Vivian Jin
Welcome to the Harvard Art Museums! We are three museums—the Fogg, Busch-Reisinger, and Arthur M. Sackler—all in one building. Have fun exploring our galleries; just ask any staff member for help finding your way.
Objects of Addiction explores the entwined histories of the opium trade and the Chinese art market between the late 18th and early 20th centuries.
Questions about the materials of the opium pipe on view in Objects of Addiction led to a collaborative investigation by curatorial, objects conservation, and conservation science staff.
By Nicole Ledoux