Index Magazine

Art Talk: Reframing the Tianlongshan Cave Temple Fragments

July 29, 2021
Index Magazine

Art Talk: Reframing the Tianlongshan Cave Temple Fragments

This digital rendering includes photographs of stone wall carvings. The rendering shows a corner of the room where two walls meet. The wall on the left has an arched doorway, and above it, a row of repeated carvings of a seated figure. To the right of the door, in the corner, is a carving of a standing robed figure. In the same corner is a slightly larger robed standing figure, in high relief on a pedestal. Just to the right of that figure is an even larger robed figure, also in high relief, of a seated Buddha, on a lotus leaf–patterned pedestal.

Beginning in the late 1920s, reliefs and sculptures from the Tianlongshan cave temples in China’s northern Shanxi province were removed and published by art dealer Sadajirō Yamanaka, sparking interest among collectors worldwide. In 1943, collector Grenville L. Winthrop gifted the Fogg Museum 25 stone fragments from the site. This talk highlights a collaboration between Harvard students Kaitlin Hao, Xiaofei (Sophie) Lei, and Michael Norton to investigate the creation of the works, their meaning in Buddhist medieval China, their sale and journey to their current home, and the ravaged site they left behind.

Conceived as part of the museum-wide ReFrame initiative, this project represents a first step toward critically reassessing archaeological fragments in the Asian collections at Harvard as well as the general consequences of early efforts to collect Chinese art in the United States. Visit the digital resource Reframing Tianlongshan for more about the creation and significance of the stone fragments from the Tianlongshan cave temples, as well as the history of their display at the Harvard Art Museums. 

Led by:
Sarah Laursen, Alan J. Dworsky Associate Curator of Chinese Art, Division of Asian and Mediterranean Art 

Works explored:
Flying Apsaras Holding a Bowl, from Tianlongshan Cave 3, near Taiyuan, Shanxi province, China, 534–50. Sandstone. Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop, 1943.53.16. 

Standing Bodhisattva with Hands in Anjali Mudra, from Tianlongshan Cave 3, near Taiyuan, Shanxi province, China, 534–50. Sandstone. Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop, 1943.53.7.

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