Inventur—Art in Germany, 1943–55
The first exhibition of its kind, Inventur examines the highly charged artistic landscape in Germany from the mid-1940s to mid-1950s. Taking its name from a 1945 poem by Günter Eich,...
The first exhibition of its kind, Inventur examines the highly charged artistic landscape in Germany from the mid-1940s to mid-1950s. Taking its name from a 1945 poem by Günter Eich,...
Harvard Art Museums,
32 Quincy Street,
Cambridge,
MA
Gallery Talk
Harvard Art Museums,
32 Quincy Street,
Cambridge,
MA
Gallery Talk
Harvard Art Museums,
32 Quincy Street,
Cambridge,
MA
Gallery Talk
Harvard Art Museums,
32 Quincy Street,
Cambridge,
MA
Special Event
Harvard Art Museums,
32 Quincy Street,
Cambridge,
MA
Special Event
Harvard Art Museums,
32 Quincy Street,
Cambridge,
MA
Special Event
Harvard Art Museums,
32 Quincy Street,
Cambridge,
MA
Gallery Talk
Harvard Art Museums,
32 Quincy Street,
Cambridge,
MA
Film
Harvard Art Museums,
32 Quincy Street,
Cambridge,
MA
Gallery Talk
Harvard Art Museums,
32 Quincy Street,
Cambridge,
MA
Workshop
Curator Lynette Roth explains how her research for the exhibition Inventur—Art in Germany, 1943–55 led her to lesser-known women artists.
Renowned German artist Konrad Klapheck, whose work is featured in the exhibition Inventur—Art in Germany: 1943–55, recently sat down with us to discuss his practice.
Curator Lynette Roth introduces our special exhibition Inventur—Art in Germany, 1943–55.
Planning our special exhibition Inventur required extensive institutional research and in-depth conversations with artists and their heirs.
Fernando Bryce’s The Book of Needs re-creates selected pages from a postwar publication whose themes remain hauntingly relevant today.
As part of their training, our student guides learn to discuss and investigate works of art with curators, conservators, and other experts.
The Art Study Center’s open hours—hosted by various curatorial fellows—offer visitors a chance to drop in and view artwork they might not otherwise encounter.