How do custom gallery furnishings, such as pedestals and special mounts, make the journey from design to visitor appreciation? Through good craftsmanship.

In a powerful exhibition, four ambitious curators tell the most complete account to date of a deeply misunderstood object: the Roman Egyptian funerary portrait.

Take a moment to look back with us as we celebrate 2022!

Last summer, photography curator Makeda Best met with people associated with the Boston-based grassroots arts initiative WHERE ARE ALL THE BLACK PEOPLE AT to discuss a painting of an unidentified Black soldier, visibility in the museums, and the impact of an installation of photographs depicting eve...

Read how a curatorial fellow and frame conservator teamed up to create a historically accurate reproduction of an unusual 19th-century frame.

Stories about what’s hidden within a selection of works—discovered through technical analysis—are now highlighted in the galleries.

A conservation scientist and paper conservator explain how Louis Delsarte made his photolithograph Unity using color separations.

Francesca Bewer, from the Harvard Art Museums, and Erin Muirhead McCarty, from Community Art Center, discuss their collaboration on a youth program last summer in Cambridge.

Members of the team that developed the exhibition Prints from the Brandywine Workshop and Archives talk about the creative ways they worked together, inspired by the collaborative approach of the Brandywine Workshop.

Take a closer look at two lithographs by Pruitt that engage Afrofuturist themes and subvert the visual language of 1940s recruitment posters.