Harvard Art Museums > 2024.110: Song of the Divine Prints Collections Search Exit Deep Zoom Mode Add to Collection Copy Link Copy Citation Citation"Song of the Divine (Chen Haiyan 陳海燕) , 2024.110,” Harvard Art Museums collections online, Nov 23, 2024, https://hvrd.art/o/383968. Identification and Creation Object Number 2024.110 People Chen Haiyan 陳海燕 ( Fushun, Liaoning province, China born 1955) Title Song of the Divine Other Titles Original Language Title: 神的歌 Classification Prints Work Type print Date 1986 Places Creation Place: East Asia, China Culture Chinese Persistent Link https://hvrd.art/o/383968 Physical Descriptions Medium Woodblock print; ink on pi zhi bast paper Dimensions image: H. 19 × W. 13 cm (7 1/2 × 5 1/8 in.) paper: H. 32.6 × W. 23 cm (12 13/16 × 9 1/16 in.) Inscriptions and Marks signature: in pencil: 10/30 梦1986年2月28日神的歌 陈海燕 1986 [10/30 Dream: February 28, 1986, Song of the Divine; Chen Haiyan 1986] inscription: printed: 我坐在大海边, 静静听着遥远的天边传来了渔歌, 那么忧伤, 那么等......啊---啊, 是神的歌。 梦 一九八六二二十八 DREAM: FEBRUARY 28, 1986 I am sitting at the seaside, quietly listening to the faraway song of the fishermen coming from a distant horizon. It is so mournful and sad, so ... oh, oh! It is the song of the divine. [Translation: Britta Erickson] Provenance Recorded Ownership History Chen Haiyan, Hangzhou (1986-2024), sold [through Ink Studio, Beijing, China]; to Harvard Art Museums, 2024. State, Edition, Standard Reference Number Edition 10/30 Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Johanna and Leslie Garfield Fund in Honor of Professor Roderick MacFarquhar Accession Year 2024 Object Number 2024.110 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The coarsely cut woodblock print in black ink is enclosed within vertically oriented rectangle. The print depicts a figure sitting out in nature, facing left and hair flying in the wind. Another two figures are sitting afar. Chinese characters occupy the middle of the print, above the figures. Publication History Britta Erickson, Abby Chen, and Amjad Majid, Chen Haiyan: Carving the Unconscious (Seattle, 2016), pl. 11 Related Works 2024.100 Chen Haiyan 陳海燕 Four Cats Prints 2024.101 Chen Haiyan 陳海燕 Ghost Prints 2024.102 Chen Haiyan 陳海燕 A Cézanne Catalogue Prints 2024.103 Chen Haiyan 陳海燕 A String of Prayer Beads Prints 2024.104 Chen Haiyan 陳海燕 Golden Lion Prints 2024.105 Chen Haiyan 陳海燕 Chickens Turning Into Little Cars Prints 2024.106 Chen Haiyan 陳海燕 The Egg is Truly Great Prints 2024.107 Chen Haiyan 陳海燕 Dragonfly Prints 2024.108 Chen Haiyan 陳海燕 None of the Melons Are Ripe Prints 2024.109 Chen Haiyan 陳海燕 Five Goldfish Prints 2024.111 Chen Haiyan 陳海燕 A Rat Tells Me [Your Cat is My Friend] Prints 2024.112 Chen Haiyan 陳海燕 A Group of Children Prints 2024.113 Chen Haiyan 陳海燕 I Let Go [of the Snake] Prints Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu