Harvard Art Museums > 2024.104: Golden Lion Prints Collections Search Exit Deep Zoom Mode Add to Collection Copy Link Copy Citation Citation"Golden Lion (Chen Haiyan 陳海燕) , 2024.104,” Harvard Art Museums collections online, Nov 23, 2024, https://hvrd.art/o/383962. Identification and Creation Object Number 2024.104 People Chen Haiyan 陳海燕 ( Fushun, Liaoning province, China born 1955) Title Golden Lion Other Titles Original Language Title: 金色狮 Classification Prints Work Type print Date 1986 Places Creation Place: East Asia, China Culture Chinese Persistent Link https://hvrd.art/o/383962 Physical Descriptions Medium Woodblock print; ink on pi zhi bast paper Dimensions image: H. 19 × W. 13 cm (7 1/2 × 5 1/8 in.) paper: H. 32 × W. 23 cm (12 5/8 × 9 1/16 in.) Inscriptions and Marks signature: in pencil: 10/30 梦1986年2月7日金色狮 陈海燕1986 [10/30 Dream: February 7, 1986, Golden Lion; Chen Haiyan 1986] inscription: printed: 梦 一九八六二七 妹妹骑一头金黄色大狮, 头上的毛在闪闪发亮。 把假面揭下来时, 原来她骑的是一头驴。 我想,我可不敢骑驴。 DREAM: FEBRUARY 7, 1986 My little sister is riding a big golden lion with a shining mane. When its mask is taken off, it turns out that she is riding a donkey. I think to myself, “I sure don't dare ride a donkey." [Translation: Britta Erickson] Provenance Recorded Ownership History Chen Haiyan, Hangzhou (1986-2024), sold [through Ink Studio, Beijing, China]; to Harvard Art Museums, 2024. State, Edition, Standard Reference Number Edition 10/30 Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Johanna and Leslie Garfield Fund in Honor of Professor Roderick MacFarquhar Accession Year 2024 Object Number 2024.104 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The coarsely cut woodblock print in black ink is enclosed within vertically oriented rectangle. The print depicts a figure looking up to a big cat, on which another smaller figure is riding. There is a head of a donkey to the right of the main figure. Chinese characters occupy lower half of the print. Publication History Britta Erickson, Abby Chen, and Amjad Majid, Chen Haiyan: Carving the Unconscious (Seattle, 2016), pl. 4 Related Works 2024.100 Chen Haiyan 陳海燕 Four Cats Prints 2024.101 Chen Haiyan 陳海燕 Ghost Prints 2024.102 Chen Haiyan 陳海燕 A Cézanne Catalogue Prints 2024.103 Chen Haiyan 陳海燕 A String of Prayer Beads Prints 2024.105 Chen Haiyan 陳海燕 Chickens Turning Into Little Cars Prints 2024.106 Chen Haiyan 陳海燕 The Egg is Truly Great Prints 2024.107 Chen Haiyan 陳海燕 Dragonfly Prints 2024.108 Chen Haiyan 陳海燕 None of the Melons Are Ripe Prints 2024.109 Chen Haiyan 陳海燕 Five Goldfish Prints 2024.110 Chen Haiyan 陳海燕 Song of the Divine Prints 2024.111 Chen Haiyan 陳海燕 A Rat Tells Me [Your Cat is My Friend] Prints 2024.112 Chen Haiyan 陳海燕 A Group of Children Prints 2024.113 Chen Haiyan 陳海燕 I Let Go [of the Snake] Prints Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu