Harvard Art Museums > 2024.103: A String of Prayer Beads Prints Collections Search Exit Deep Zoom Mode Add to Collection Copy Link Copy Citation Citation"A String of Prayer Beads (Chen Haiyan 陳海燕) , 2024.103,” Harvard Art Museums collections online, Oct 18, 2024, https://hvrd.art/o/383961. Identification and Creation Object Number 2024.103 People Chen Haiyan 陳海燕 ( Fushun, Liaoning province, China born 1955) Title A String of Prayer Beads Other Titles Original Language Title: 一串佛珠 Classification Prints Work Type print Date 1986 Places Creation Place: East Asia, China Culture Chinese Persistent Link https://hvrd.art/o/383961 Physical Descriptions Medium Woodblock print; ink on pi zhi bast paper Dimensions image: H. 19 × W. 13 cm (7 1/2 × 5 1/8 in.) paper: H. 33 × W. 23 cm (13 × 9 1/16 in.) Inscriptions and Marks signature: in pencil: 10/30 梦1986年2月7日一串佛珠 陈海燕1986 [10/30 Dream: February 7, 1986, A String of Prayer Beads; Chen Haiyan 1986] inscription: printed: 梦 一九八六二七 我和父亲走在稻田边的小路上。 我怕蛇,父亲说没事, 蛇都抬起了无精打采的头, 可它不咬人。 父亲脖子上挂一串佛珠, 他被蛇咬了。 DREAM: FEBRUARY 7, 1986 I walk with my father along a path beside the rice paddy. I am afraid of snakes, but he tells me that it's okay; the snakes may raise their listless heads, but they won't bite us. Father wears a string of prayer beads, but he is still bitten by a snake. [Translation: Britta Erickson] Provenance Recorded Ownership History Chen Haiyan, Hangzhou (1986-2024), sold [through Ink Studio, Beijing, China]; to Harvard Art Museums, 2024. State, Edition, Standard Reference Number Edition 10/30 Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Johanna and Leslie Garfield Fund in Honor of Professor Roderick MacFarquhar Accession Year 2024 Object Number 2024.103 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The coarsely cut woodblock print in black ink is enclosed within vertically oriented rectangle. The print depicts two figures walking down a path. On each side of the path there are grids of abstract lines. Chinese characters occupy lower half of the print. Publication History Britta Erickson, Abby Chen, and Amjad Majid, Chen Haiyan: Carving the Unconscious (Seattle, 2016), pl. 5 Related Works 2024.100 Chen Haiyan 陳海燕 Four Cats Prints 2024.101 Chen Haiyan 陳海燕 Ghost Prints 2024.102 Chen Haiyan 陳海燕 A Cézanne Catalogue Prints 2024.104 Chen Haiyan 陳海燕 Golden Lion Prints 2024.105 Chen Haiyan 陳海燕 Chickens Turning Into Little Cars Prints 2024.106 Chen Haiyan 陳海燕 The Egg is Truly Great Prints 2024.107 Chen Haiyan 陳海燕 Dragonfly Prints 2024.108 Chen Haiyan 陳海燕 None of the Melons Are Ripe Prints 2024.109 Chen Haiyan 陳海燕 Five Goldfish Prints 2024.110 Chen Haiyan 陳海燕 Song of the Divine Prints 2024.111 Chen Haiyan 陳海燕 A Rat Tells Me [Your Cat is My Friend] Prints 2024.112 Chen Haiyan 陳海燕 A Group of Children Prints 2024.113 Chen Haiyan 陳海燕 I Let Go [of the Snake] Prints Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu