Harvard Art Museums > 2024.108: None of the Melons Are Ripe Prints Collections Search Exit Deep Zoom Mode Add to Collection Copy Link Copy Citation Citation"None of the Melons Are Ripe (Chen Haiyan 陳海燕) , 2024.108,” Harvard Art Museums collections online, Nov 23, 2024, https://hvrd.art/o/383966. Identification and Creation Object Number 2024.108 People Chen Haiyan 陳海燕 ( Fushun, Liaoning province, China born 1955) Title None of the Melons Are Ripe Other Titles Original Language Title: 瓜都不熟 Classification Prints Work Type print Date 1986 Places Creation Place: East Asia, China Culture Chinese Persistent Link https://hvrd.art/o/383966 Physical Descriptions Medium Woodblock print; ink on pi zhi bast paper Dimensions image: H. 19 × W. 13 cm (7 1/2 × 5 1/8 in.) paper: H. 33.2 × W. 23 cm (13 1/16 × 9 1/16 in.) Inscriptions and Marks signature: in pencil: 10/30 梦1986年2月21日 瓜都不熟 陈海燕1986 [10/30 Dream: February 21, 1986, None of the Melons are Ripe; Chen Haiyan 1986] inscription: printed: 我站在葡萄架上摘西瓜扔下来, 那瓜都不熟。 梦 一九八六二二十一 DREAM: FEBRUARY 21, 1986 I am standing on a grapevine trellis plucking watermelons to toss down. None of the melons are ripe. [Translation: Britta Erickson] Provenance Recorded Ownership History Chen Haiyan, Hangzhou (1986-2024), sold [through Ink Studio, Beijing, China]; to Harvard Art Museums, 2024. State, Edition, Standard Reference Number Edition 10/30 Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Johanna and Leslie Garfield Fund in Honor of Professor Roderick MacFarquhar Accession Year 2024 Object Number 2024.108 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The coarsely cut woodblock print in black ink is enclosed within vertically oriented rectangle. The print depicts five watermelons on a grapevine trellis where a figure is sitting. A figure is to the right of the trellis whereas a large wedge of watermelon is underneath the trellis. Chinese characters occupy lower half of the print. Publication History Britta Erickson, Abby Chen, and Amjad Majid, Chen Haiyan: Carving the Unconscious (Seattle, 2016), pl. 9 Related Works 2024.100 Chen Haiyan 陳海燕 Four Cats Prints 2024.101 Chen Haiyan 陳海燕 Ghost Prints 2024.102 Chen Haiyan 陳海燕 A Cézanne Catalogue Prints 2024.103 Chen Haiyan 陳海燕 A String of Prayer Beads Prints 2024.104 Chen Haiyan 陳海燕 Golden Lion Prints 2024.105 Chen Haiyan 陳海燕 Chickens Turning Into Little Cars Prints 2024.106 Chen Haiyan 陳海燕 The Egg is Truly Great Prints 2024.107 Chen Haiyan 陳海燕 Dragonfly Prints 2024.109 Chen Haiyan 陳海燕 Five Goldfish Prints 2024.110 Chen Haiyan 陳海燕 Song of the Divine Prints 2024.111 Chen Haiyan 陳海燕 A Rat Tells Me [Your Cat is My Friend] Prints 2024.112 Chen Haiyan 陳海燕 A Group of Children Prints 2024.113 Chen Haiyan 陳海燕 I Let Go [of the Snake] Prints Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu