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Art Talk Live: Power Play—Gender Dynamics in Hubert Robert’s The See-Saw

A man and a woman use a wooden plank on an upside-down capital as a seesaw. They are surrounded by ancient ruins. St. Peter’s Basilica and modern Rome appear in the background.
Hubert Robert, French, The See-Saw, c. 1786. Pen with black ink, brown wash, and watercolor over traces of black chalk on off-white antique laid paper. Harvard Art Museums/Fogg Museum, Gift of Charles E. Dunlap, 1956.250.

Gallery Talk

Throughout his career, Hubert Robert combined elements of ancient art and architecture that he had studied in Rome to create imaginary views. In The See-Saw, perhaps one of his most humorous works, he made the playful repurposing of ancient splendor his subject and cleverly commented on power dynamics of his own day by referencing monuments of Roman history.

This talk is part of a series investigating power dynamics in artworks across the collections. Considering intersections of art and power, our curatorial team discuss how artists engage with social and political crises, use art to upset systems of power, and imagine more equitable futures.

Led by:
Joachim Homann, Maida and George Abrams Curator of Drawings, Division of European and American Art
Margaret Morgan Grasselli, Visiting Senior Scholar for Drawings, Division of European and American Art, and Visiting Lecturer, Department of History of Art and Architecture, Harvard University

This free talk will take place online via Zoom. To join, follow this link: https://harvard.zoom.us/j/96511606970 (pre-registration not required).

For instructions for how to join a meeting in Zoom, please click here.

Art Talks Live are presented via Zoom every other Thursday afternoon at 2pm and offer an up-close look at works from our collections with our team of curators, conservators, fellows, and graduate students.

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