Incorrect Username, Email, or Password
A horizontal stick of grey stone that terminates on the right side with a dark metal handle shaped like a goat with curved horns.

This is a thin, rounded bar of smooth, grey brown stone that comes to a metal handle on the right side that is shaped like a goat with large, curved horns. The stone shaft has been worn unevenly but is rounded all over. The sone is smooth and does not have large inclusions. The handle on the right side is made of a dark metal with a small amount of green discoloration. The horns, ears, and beard of the goat all extend off the head, and face has some detailing in it. There is a small hole in the body of the handle, near where it joins the stone shaft, that shows the inside of hte handle to be hollow

Identification and Creation

Object Number
1931.4
Title
Whetstone with a Handle in the Form of a Wild Goat
Other Titles
Alternate Title: Whetstone with Ibex Handle
Classification
Tools and Equipment
Work Type
whetstone
Date
9th-mid 8th century BCE
Places
Creation Place: Ancient & Byzantine World, Asia, Luristan (Iran)
Period
Iron Age
Culture
Iranian
Persistent Link
https://hvrd.art/o/312118

Location

Location
Level 3, Room 3440, Ancient Mediterranean and Middle Eastern Art, Ancient Middle Eastern Art in the Service of Kings
View this object's location on our interactive map

Physical Descriptions

Medium
Bronze and abraded stone
Technique
Cast, lost-wax process
Dimensions
overall length: 20.7 cm (8 1/8 in.)
handle: 5.5 x 2.3 cm (2 3/16 x 7/8 in.)
Technical Details

Chemical Composition: ICP-MS/AAA data from sample, Bronze:
Cu, 87.88; Sn, 9.99; Pb, 1.36; Zn, 0.005; Fe, 0.04; Ni, 0.13; Ag, 0.05; Sb, less than 0.05; As, 0.51; Bi, less than 0.025; Co, 0.036; Au, less than 0.01; Cd, less than 0.001

J. Riederer

Chemical Composition: XRF data from Tracer
Alloy: Bronze
Alloying Elements: copper, tin
Other Elements: lead, iron, silver, antimony, arsenic

K. Eremin, January 2014

Technical Observations: The patina is red with areas of green in the recesses. The surface has been aggressively cleaned, removing almost all the green patina and exposing the underlying red oxide; this process also resulted in some loss of surface detail. There is modern adhesive where the stone enters the bronze. Stone is visible in the hole with the securing pin, but it is not certain that it is the same as that of the existing handle.

The soft, freely formed shapes of the metal point to direct work to create the wax model. The hollow section extends only to the neck and was designed to accept the whetstone, which was secured with a pin through holes near the opening. The original securing pin appears to have survived. Rather than being peened tight into position, it was simply inserted and bent over at the ends, perhaps making it easier to remove it and replace the stone when needed. The edges of the holes are rounded and soft and appear to have been made in the model rather than drilled in the metal. There is possible evidence of cold working in the eyes, but the condition of the surface makes this difficult to determine.


Henry Lie (submitted 2012)

Provenance

Recorded Ownership History
Arthur Upham Pope Collection. Private Collection, Boston, (by 1931), gift; to the Fogg Art Museum, 1931.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Anonymous Gift
Accession Year
1931
Object Number
1931.4
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Exhibition History

  • The Art of Luristan, Plymouth State College, Plymouth, 10/04/1970 - 10/29/1970; Chapel Arts Center, Manchester, 11/08/1970 - 12/22/1970
  • [Teaching Exhibition], Smith College Museum of Art, Northampton, 11/01/1972 - 01/01/1973
  • 32Q: 3440 Middle East, Harvard Art Museums, 11/16/2014 - 01/01/2050

Subjects and Contexts

  • Ancient Bronzes
  • Google Art Project

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu