Harvard Art Museums > 2012.1.135: Votive Figurine of the Goddess Athena Sculpture Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Votive Figurine of the Goddess Athena , 2012.1.135,” Harvard Art Museums collections online, Nov 04, 2024, https://hvrd.art/o/173939. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2012.1.135 Title Votive Figurine of the Goddess Athena Classification Sculpture Work Type sculpture Date first half of 6th century BCE Places Creation Place: Ancient & Byzantine World, Europe, Laconia Period Archaic period Culture Greek Persistent Link https://hvrd.art/o/173939 Physical Descriptions Medium Lead Technique Cast Dimensions 5.3 x 2 cm (2 1/16 x 13/16 in.) Provenance Recorded Ownership History Humfry Payne Collection (?-1936), England. [Galerie Gunter Puhze, Freiburg, Germany, 2001], sold; to The Alice Corinne McDaniel Collection, Department of the Classics, Harvard University (2001-2012), transfer; to the Harvard Art Museums, 2012. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Transfer from the Alice Corinne McDaniel Collection, Department of the Classics, Harvard University Accession Year 2012 Object Number 2012.1.135 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Flat lead figurine of an armed goddess facing right, probably Athena. She is wearing a helmet with a high crest; of the crest, only the lower end is preserved. Long tresses of hair extend from below the helmet over her chest. The long skirt shows a diamond pattern (achieved by cross-hatching) in the front and, at back, two vertical lines, perhaps indicating folds. The remains of a cross-hatched aegis, the snake-lined cape usually associated with Athena, are visible behind the figure. The rump of a snake survives at the elbow of the bent, proper right arm. Other figurines from the same mold indicate that the aegis continued on the other side, i.e. the front of the figure. On the present example, an uneven break edge is all that survives. The goddess is holding a spear, which is only partly preserved. The feet are missing. The plain back of the figurine suggests that it was cast in a one-sided mold. There is a horizontal crack at the waist and a diagonal one in upper body. Commentary Small, flat figurines cast of lead were common dedications in the sanctuaries of Laconia, the territory of Sparta. Over 100,000 examples were found in the Sanctuary of Artemis Orthia alone. Different types of figurines were mass-produced in one-sided molds with a plain back. They depict a winged goddess and other deities, warriors, women, animals (especially deer), and various objects, such as wreaths and branches. Next to the winged goddess, the armed goddess Athena was the most common deity to represented in lead. The ubiquity and often careless execution of the figurines indicate that they were affordable for a large section of the population. They thus reflect popular beliefs and practices. Publication History Melissa LaScaleia, "The Sanctuary of Artemis Orthia Revisited", Persephone (Fall 2002), Vol. 6, No. 1, 20-23, p. 21, ill. Related Works 2012.1.136 Shield from the Votive Figurine of a Warrior Sculpture 2012.1.137 Fragmentary Votive Figurine of a Warrior Sculpture 2012.1.133 Votive Figure of a Warrior with Helmet and Shield Sculpture 2012.1.134 Votive Figurine of a Woman Sculpture 2012.1.140 Votive Figurine of a Woman Sculpture 2012.1.141 Votive Figurine of a Warrior Sculpture 2012.1.142 Fragmentary Votive Figurine of a Winged Goddess Sculpture 2012.1.138 Votive Figurine of a Woman Sculpture 2012.1.139 Votive Figurine of a Deer Sculpture Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu