2012.1.137: Fragmentary Votive Figurine of a Warrior
Sculpture
This object does not yet have a description.
Identification and Creation
- Object Number
- 2012.1.137
- Title
- Fragmentary Votive Figurine of a Warrior
- Classification
- Sculpture
- Work Type
- sculpture
- Date
- 6th-early 5th century BCE
- Places
- Creation Place: Ancient & Byzantine World, Europe, Laconia
- Period
- Archaic period
- Culture
- Greek
- Persistent Link
- https://hvrd.art/o/173577
Physical Descriptions
- Medium
- Lead
- Technique
- Cast
- Dimensions
- 3.1 x 1.9 cm (1 1/4 x 3/4 in.)
Provenance
- Recorded Ownership History
- Humfry Payne Collection (?-1936), England. [Galerie Gunter Puhze, Freiburg, Germany, 2001], sold; to The Alice Corinne McDaniel Collection, Department of the Classics, Harvard University (2001-2012), transfer; to the Harvard Art Museums, 2012.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Transfer from the Alice Corinne McDaniel Collection, Department of the Classics, Harvard University
- Accession Year
- 2012
- Object Number
- 2012.1.137
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
- Upper part of a flat lead figurine of a warrior facing left. Only the head with crested helmet, the shield, and the thigh of one leg survive. The round shield has a star pattern inside a broad border. The plain back of the figurine suggests that it was cast in a one-sided mold.
- Commentary
- Small, flat figurines cast of lead were common dedications in the sanctuaries of Laconia, the territory of Sparta. Over 100,000 examples were found in the Sanctuary of Artemis Orthia alone. Different types of figurines were mass-produced in one-sided molds with a plain back. They depict a winged goddess and other deities (such as Athena), warriors, women, animals (especially deer), and various objects, such as wreaths and branches. Their ubiquity and often careless execution indicate that they were affordable for a large section of the population. They thus reflect popular beliefs and practices. They will be valuable not only for courses on ancient religion and civilization, but will also allow art historians to compare trends in representation across different media: terracotta, stone, bronze, precious metal--and lead.
Publication History
- Melissa LaScaleia, "The Sanctuary of Artemis Orthia Revisited", Persephone (Fall 2002), Vol. 6, No. 1, 20-23
Related Objects
Verification Level
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