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Identification and Creation

Object Number
1960.98
People
Théodore Géricault, French (Rouen 1791 - 1824 Paris)
Title
Lithographic printing matrix for “Lion Devouring a Horse”
Other Titles
Former Title: Lion Devouring a Horse
Classification
Drawings
Work Type
drawing
Date
1820-1821
Culture
French
Persistent Link
https://hvrd.art/o/297171

Physical Descriptions

Medium
Lithographic ink on prepared paper ("stone paper") mounted to paper board
Dimensions
27.4 × 37 × 0.5 cm (10 13/16 × 14 9/16 × 3/16 in.)
Inscriptions and Marks
  • label: verso, on paper board, serrated edges: [printed:] LUCIEN LEREBVRE-FOINET / 19, Rue Vavin et 2. Rue Brea. PARIS - VIe / [stamped:] 2873 / [printed:] COULEURS ET TOILES FINES
  • label: verso, on paper board, lower right, printed text: JAMES BOURLET & SONS Ltd., / Fine Art Packers, Frame Makers, / B37579 / 17 & 18, NASSAU STREET, / MORTIMER STREET, W. / Phones: - Museum 1871 & 7588.
  • label: verso, on paper board, upper center, handwritten text: [black ink:] Carteri ari signal de / Géricault / Lion dévourant un cheval. / Clément a 44 [crossed out] no. 102. [underlined] / (Loys Delteill No. 46) [over graphite:] 6 / [illegible] / [illegible]
  • stamp: verso, on paper board, lower left, blue ink: DOUANE / EXPORTATION / PARIS / CENTRALE [encircled]
  • stamp: verso, on paper board, middle right, blue ink: DOUANE / EXPORTATION / PARIS / CENTRALE [encircled]

Provenance

Recorded Ownership History
M. de Musigny, sold [through his sale, commissaire-priseur Bonnefons de la Vialle, Paris, March 8, 1845, lot 61]. Possibly François-Martial Marcille, Paris, by descent; to Camille Constantin Marcille (Lugt 605a), his son, Paris and Oisème, 1856, sold [through his sale, Hôtel Drouot, commissaire-priseur Charles Pillet, March 6-9, 1876, lot 84]; to M. Gerard. [Maurice Gobin, Paris, by 1935]. [1] Philip Hofer, gift; to Fogg Art Museum, 1960

[1] Gobin includes the stone in the 1935 exhibition "Dessins, aquarelles & gouaches par Gericault."

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Mr. and Mrs. Philip Hofer
Accession Year
1960
Object Number
1960.98
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Catalogue de Tableaux et Dessins formant la collection de feu M. Camille Marcille, auct. cat., Hôtel Drouot (Paris, March 3-7, 1876), p. 32, lot no. 84
  • Dessins, aquarelles & gouaches de Géricault, 1791-1824, exh. cat., Maurice Gobin (Paris, 1935), no. 49
  • Henri Zerner, "Théodore Géricault: Artist of Man and Beast", Apollo (June 1978), vol. CVII, no. 196, pp. 480-486, p. 484, repr. as fig. 4
  • Hans A. Lüthy, "Master Drawings by Gericault", Master Drawings (Winter 1986), vol. XXIII-XXIV, no. 4, p. 566
  • Germain Bazin, Théodore Géricault: Etude critique, documents, et catalogue raisonné, Wildenstein Institute (Paris, France, 1987 -1997), vol. 7, no. 2338A, repr., also pp. 10, 11, 31, 32, 40
  • Agnes Mongan, David to Corot: French Drawings in the Fogg Art Museum, Harvard University Press (Cambridge, MA, 1996), cat. no. 178, repr.
  • Marjorie B. Cohn and Clare I. Rogan, Touchstone: 200 Years of Artists' Lithographs, exh. cat., Harvard University Art Museums (Cambridge, MA, 1998), p. 53, no. 34
  • Ewa Lajer-Burcharth and Elizabeth M. Rudy, ed., Drawing: The Invention of a Modern Medium, exh. cat., Harvard Art Museums (Cambridge, 2017), p. 57, repr. p. 56 as fig. 15
  • Christina Taylor, "Géricault's 'Stone Paper'", Index Magazine, Harvard Art Museums ([e-journal], October 25, 2018), https://www.harvardartmuseums.org/article/gericault-s-stone-paper, accessed January 31, 2019
  • Christina Taylor, Georgina Rayner, Christopher Wallace, and Katherine Eremin, "Géricault's Lion Devouring a Horse Stone Paper Matrix: Technical Study", Journal of the American Institute for Conservation, Routledge / Taylor & Francis (2020), pp.1-14, pp. 1-14, https://doi-org.ezp-prod1.hul.harvard.edu/10.1080/01971360.2020.1726141
  • Christina Taylor, Georgina Rayner, Christopher Wallace, and Katherine Eremin, Géricault’s Lion Devouring a Horse Stone Paper Matrix: Technical Study, Journal of the American Institute for Conservation, American Institute for Conservation (https://doi.org/10.1080/01971360.2020.1726141, 2020), 59, 2, Pages 97-110, Figure 1, Page 99; Figure 2, Page 100; Figure 3, Page 100; Figure 4, Page 101; Figure 5, Page 101; Figure 6, Page 102;

Exhibition History

  • The Age of Romanticism, Busch-Reisinger Museum, Cambridge, 03/15/1986 - 05/18/1986
  • Touchstone: 200 Years of Artists' Lithographs, Harvard University Art Museums, Cambridge, 08/15/1998 - 11/01/1998; University of Michigan Museum of Art, Ann Arbor, 07/17/1999 - 09/26/1999; Agnes Etherington Art Centre, Kingston, 09/30/1999 - 12/10/2000; William Hayes Ackland Memorial Art Museum, Chapel Hill, 02/04/2001 - 05/13/2001
  • Mutiny: Works by Géricault, Harvard Art Museums, Cambridge, 09/01/2018 - 01/06/2019

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu