Photo © President and Fellows of Harvard College
Identification and Creation
Object Number
M14095
People
Théodore Géricault, French (Rouen 1791 - 1824 Paris)
Title
Lion Devouring a Horse
Other Titles
Original Language Title: Lion dévorant un cheval
Classification
Prints
Work Type
print
Date
1821
Culture
French
Persistent Link
https://hvrd.art/o/265775
Physical Descriptions
Medium
Lithograph on off-white wove paper
Technique
Lithograph
Dimensions
image: 21.2 × 31.5 cm (8 3/8 × 12 3/8 in.)
sheet: 23.4 × 35.8 cm (9 3/16 × 14 1/8 in.)
Inscriptions and Marks
  • inscription: lower right, erased graphite: Gericault
  • collector's mark: lower left, black ink: YB [in oval] [Lugt 421, mark of Alfred Beurdeley II]
Provenance
[Alfred Beurdeley II, Paris]. [R.E. Lewis, San Francisco] sold; to Fogg Art Museum, 1964
State, Edition, Standard Reference Number
State
only state
Standard Reference Number
Delteil 26; Clément 44; Brugerolles E.41
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund and Alphaeus Hyatt Fund
Accession Year
1964
Object Number
M14095
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
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Descriptions
Description
Printed from "stone" paper
Publication History

Ewa Lajer-Burcharth and Elizabeth M. Rudy, ed., Drawing: The Invention of a Modern Medium, exh. cat., Harvard Art Museums (Cambridge, 2017), p. 63 note 41

"Géricault's Staying Power", Index Magazine ([e-journal], August 13, 2018), https://www.harvardartmuseums.org/article/gericault-s-staying-power, accessed August 15, 2018

Christina Taylor, "Géricault's 'Stone Paper'", Index Magazine, Harvard Art Museums ([e-journal], October 25, 2018), https://www.harvardartmuseums.org/article/gericault-s-stone-paper, accessed January 31, 2019

Christina Taylor, Georgina Rayner, Christopher Wallace, and Katherine Eremin, "Géricault's Lion Devouring a Horse Stone Paper Matrix: Technical Study", Journal of the American Institute for Conservation, Routledge / Taylor & Francis (2020), pp.1-14, p. 10, fig. 11, https://doi-org.ezp-prod1.hul.harvard.edu/10.1080/01971360.2020.1726141

Exhibition History

Romantic Prints: David to Courbet, Busch-Reisinger Museum, Cambridge, 03/01/1980 - 04/30/1980

Mutiny: Works by Géricault, Harvard Art Museums, Cambridge, 09/01/2018 - 01/06/2019

Related Works

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu