Harvard Art Museums > 1943.199: Study for "Blossoms" Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Study for "Blossoms" (Albert Joseph Moore) , 1943.199,” Harvard Art Museums collections online, Dec 06, 2024, https://hvrd.art/o/230457. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Gallery Text A leader of the Aesthetic movement, Moore rarely strayed from his preferred compositional arrangement. His canvases feature women draped in classicized garments and placed in decorative settings. This homogeneity is due to the artist’s systematic working methods. A recent treatment of this painting helped curators and conservators learn more about Moore’s artistic practice, most notably that it comprised 18 distinct stages. Some steps are perceptible to the naked eye: graphite gridlines are visible under the thin paint layer near the figure’s head and feet. Moore used these lines to finalize the composition before he set to work on a large-scale version of the painting. Moore was also attentive to geometric forms in his frames, which he designed himself. With shallow profiles decorated with linear ornament, his frames drew from ancient Greek and Roman architecture and accentuated his figure’s classically inspired costumes and poses. This frame is a historically accurate reproduction recently crafted by the Harvard Art Museums’ frame conservator after one of Moore’s own design. Identification and Creation Object Number 1943.199 People Albert Joseph Moore, British (York, England 1841 - 1893 London, England) Title Study for "Blossoms" Other Titles Alternate Title: Completed Study for "Blossoms" Former Title: Cherry Blossom Classification Paintings Work Type painting Date c. 1881 Culture British Persistent Link https://hvrd.art/o/230457 Location Location Level 2, Room 2130, European and American Art, 17th–19th century, The Pre–Raphaelites and Their Legacy View this object's location on our interactive map Physical Descriptions Medium Oil on canvas Dimensions 77 × 25.1 cm (30 5/16 × 9 7/8 in.) framed: 102.6 × 50.5 × 3.5 cm (40 3/8 × 19 7/8 × 1 3/8 in.) Inscriptions and Marks Signed: l.r.: anthemion device Provenance Recorded Ownership History W. Moresby Chinnery, sold [through his sale, Christie, Manson & Woods, London, March 1, 1920, lot 12, as "Cherry Blossom"]. William Hulme, Viscount Leverhulme, sold [through Anderson Galleries, New York, February 17-19, 1926, lot 183 as "Cherry Blossom"]. [Scott & Fowles, New York], sold; to Grenville L. Winthrop, 1932, bequest; to Fogg Art Museum, 1943 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop Accession Year 1943 Object Number 1943.199 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS. The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Catalogue of Modern Pictures and Watercolour Drawings... of M. Chinnery, auct. cat., Christie's, London (London, England, March 1, 1920), no. 12 The Art Collection of the Late Viscount Leverhulme, auct. cat., Anderson Galleries (New York, NY, February 17, 1926 - February 19, 1926), no. 183; repr., facing p. 128 Paintings and Drawings of the Pre-Raphaelites and their Circle, exh. cat., Fogg Art Museum (Cambridge, MA, 1946), no. 60 Denys Sutton, "The Pursuit of Beauty", Apollo (June 1978), vol. CVII, no. 196, pp. 446-452, p. 451, fig. 11 Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 121; repr. as no. 88 "Spring Sampler: Signs of the Season from Diverse University Collections", Harvard Magazine (March 2002), pp. 38-43, p. 43, repr. in color Chikashi Kitazaki and Mina Oya, ed., Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Ueno, 2002), pp. 212-213, cat. #65, color repr. Colleen Walsh, "Make It New (By Making It Old)", Harvard Gazette, June 16, 2022, https://news.harvard.edu/gazette/story/2022/06/make-it-new-by-making-it-old/?utm_source=SilverpopMailing&utm_medium=email&utm_campaign=Daily%20Gazette%2020220621%20(1), accessed June 22, 2022. Ruby Awburn, Sophie Lynford, and Georgina Rayner, "Process to Product: A Technical Investigation into the Working Practices of Albert Moore”, Materia: Journal of Technical Art History (Winter 2022), https://issue-2.materiajournal.com/awburn/, accessed June 1, 2022 Sophie Lynford and Allison Jackson, "Reframing Albert Moore’s Study for 'Blossoms': Historical Design, Contemporary Production", Index Magazine, Harvard Art Museums (June 13, 2022), https://harvardartmuseums.org/article/reframing-albert-moore-s-em-study-for-blossoms-em-historical-design-contemporary-production, accessed June 14, 2022 Ruby Awburn, Sophie Lynford, and Georgina Rayner, Process to Product : A Technical Investigation into the Working Practices of Albert Moore, Materia: Jounal of Technical Art History, Materia (https://issue-2.materiajournal.com/awburn/, 2022), 2, Pages 18-31, Figure 1 Allison Jackson, Intentional Framing at the Harvard Art Museums: Albert Moore’s “Study for Blossoms”, American Insitute for Conservation, Wooden Artifacts Group Postprints, American Institute for Conservation (https://members.culturalheritage.org/commerce/store?productId=AIC-2023-WOODEN-ARTIFACTS-GROUP-POSTPRINTS-VOL-37, 2023), 37, Pages 17-24 Exhibition History Paintings and Drawings of the Pre-Raphaelites and their Circle, Fogg Art Museum, Cambridge, 04/08/1946 - 06/01/1946 Unidentified Exhibition, Lamont Library, 1959, Lamont Library, Cambridge, 04/01/1959 - 04/30/1959 Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 09/14/2002 - 12/08/2002 For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/16/2004 32Q: 2130 19th Century, Harvard Art Museums, Cambridge, 05/02/2022 - 01/01/2050 Related Articles Reframing Albert Moore’s Study for “Blossoms”: Historical Design, Contemporary Production Allison Jackson, Sophie Lynford June 13, 2022 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu