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Identification and Creation

Object Number
2002.50.130
Title
Episodes from the Story of Siyavush (text, recto and verso), folio from a manuscript of the Shahnama by Firdawsi
Classification
Manuscripts
Work Type
manuscript folio
Date
late 16th century to early 17th century
Places
Creation Place: Middle East, Iran, Isfahan
Period
Safavid period
Culture
Persian
Persistent Link
https://hvrd.art/o/95695

Physical Descriptions

Medium
Ink, opaque watercolor and gold on paper
Dimensions
34 x 21.5 cm (13 3/8 x 8 7/16 in.)

Provenance

Recorded Ownership History
[Hadji Baba Ancient Art, London, 1985], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1985-2002), gift; to Harvard Art Museums, 2002.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art
Accession Year
2002
Object Number
2002.50.130
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
Recto. Text describes Sudaba deceiving Kay Kavus, and Sudaba finding a reason to kill Siyavush.
Verso. Text describes Kay Kavus asking an astrologer about his children.

Published Catalogue Text: In Harmony: The Norma Jean Calderwood Collection of Islamic Art , written 2013
114 A–B

Double page: The Trial by Fire of Siyavush
A. Verso: text and illustration
Folio: 34 × 21.4 cm (13 3/8 × 8 7/16 in.)
2002.50.30
B. Recto: text
Folio: 34 × 21.5 cm (13 3/8 × 8 7/16 in.)
2002.50.130

The depiction of Prince Siyavush’s test by fire is here confined to a single page, rather than spread over two as in cat. 96 A–B. The scene is therefore predictably condensed, with Siyavush shown galloping into the fire while his father, also mounted, watches anxiously from the forecourt of his nearby palace. Peering from the window above is the would-be seductress, Sudaba, who gestures toward Siyavush. The handsome prince, his black mount, and the towering golden flames that engulf them are here closer to the center of the composition.

Although hairstyles and headgear differ, the two versions of this scene in the Calderwood Collection feature similar architectural decoration. Furthermore, the compositional elements that they share irrespective of format suggest the existence of an established iconographic convention for illustrating this episode of the Shāhnāma.

Mika M. Natif

Publication History

  • Mary McWilliams, ed., In Harmony: The Norma Jean Calderwood Collection of Islamic Art, exh. cat., Harvard Art Museums (Cambridge, MA, 2013), p. 249, cat. 114 A-B, ill.

Exhibition History

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu