2003.100.42: Seated Goddess on Throne, pulling aside her veil
Sculpture
This object does not yet have a description.
Identification and Creation
- Object Number
- 2003.100.42
- Title
- Seated Goddess on Throne, pulling aside her veil
- Classification
- Sculpture
- Work Type
- sculpture
- Date
- c. 470-450 BCE
- Culture
- Greek
- Persistent Link
- https://hvrd.art/o/92077
Physical Descriptions
- Medium
- Terracotta, mold made
- Dimensions
- 19.5 x 11.5 x 8 cm (7 11/16 x 4 1/2 x 3 1/8 in.)
Provenance
- Recorded Ownership History
- Ex collection Professor Mason HAmmond, Pope Professor of Latin Language and Literature, Departments of the Classics and of History, Harvard University
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of the daughters of Florence and Mason Hammond
- Accession Year
- 2003
- Object Number
- 2003.100.42
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
-
Perhaps from a provincial South Italian workshop, Intact statuette. Object is very heavy and made of dark, reddish-brown clay with traces of plaster or whitish incrustation on back covering areas of smoothing. Also evident on lower left side under the throne and in interstices on the molded surface. The bottom of the object is hollow and was assembled from a flat back and a mold-made front.
A female figure, seated frontally wearing a peplos like garment, draws aside a veil with her left hand and holds a lobed phiale tipped downward in her right. The veil protrudes from a thicker, cap-like headdresss. Her ears are marked by indistinct rounded earrings. A small mold-made figure of a deer stands beneath the phiale and adjoining her right leg. Her knees and lower legs are covered with a long garment that covers her ankles. Her feet rest upon a footstool. Below her left arm the surface of the throne extends outward. It is supported by a low molding which sits atop a smaller, rectangular support which finally sits upon a flat plinth.
Numerous cracks and breaks suggest that the piece has been mended and restored. The figure was impressed from a worn mold.
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu