An abstract seaside landscape with rock formations
Photo © Emily Rauh Pulitzer
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Photo © Emily Rauh Pulitzer

Washes of smudged color on light tan paper suggest natural features of a shoreline seen from a rocky precipice. An area of greenish blue with dark smudges occupies the upper right corner, bordered below by a light sand colored strip which widens and extends to the upper left and middle left. Smudged brown and rust colored forms dominate the lower right corner, and from it, a burnt orange shape juts into the sand, with dark threadlike lines on top that suggest waving grasses.

Identification and Creation

Object Number
M26275
People
Hilaire-Germain-Edgar Degas, French (Paris, France 1834 - 1917 Paris, France)
Title
Landscape
Other Titles
Alternate Title: Paysage, Cove in a Canyon
Classification
Prints
Work Type
print
Date
1890-1892
Culture
French
Persistent Link
https://hvrd.art/o/53413

Physical Descriptions

Medium
Monotype in oil
Technique
Monotype
Dimensions
plate: 29.2 x 39.4 cm (11 1/2 x 15 1/2 in.)
framed: 48.7 x 58.7 x 5.6 cm (19 3/16 x 23 1/8 x 2 3/16 in.)

Provenance

Recorded Ownership History
Maurice Exteens. [Paul Brame and César M. de Hauke], sold; to Phyllis Lambert, Montreal, 1958. Martha Beck, sold; to Emily Rauh Pulitzer, partial gift; to Harvard Art Museums, 2005.

State, Edition, Standard Reference Number

Standard Reference Number
Adhémar and Cachin 190; Janis 309

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Partial and promised gift of Emily Rauh Pulitzer in honor of Marjorie B. Cohn
Object Number
M26275
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Jean Adhémar and Françoise Cachin, Degas: The Complete Etchings, Lithographs, and Monotypes, Viking Press (New York, 1973), p. 280, cat. 190, repr.
  • Jean Sutherland Boggs, Degas, exh. cat., Metropolitan Museum of Art / National Gallery of Canada (New York, NY and Ottawa, Canada, 1988), p. 506, cat. no. 301, repr. p. 506.
  • Jodi Hauptman, Degas: A Strange New Beauty, exh. cat., The Museum of Modern Art (New York, 2016), p. 187, cat. no. 133, pl. 133
  • Ewa Lajer-Burcharth and Elizabeth M. Rudy, ed., Drawing: The Invention of a Modern Medium, exh. cat., Harvard Art Museums (Cambridge, 2017), p. 60, repr. p. 60 as fig. 19

Exhibition History

  • Degas Monotypes, Fogg Art Museum, Cambridge, 04/25/1968 - 06/14/1968
  • Degas, Galeries Nationales du Grand Palais, Paris, 02/09/1988 - 05/16/1988; National Gallery of Canada, Ottawa, 06/16/1988 - 08/28/1988; The Metropolitan Museum of Art, New York, 09/27/1988 - 01/08/1989
  • Degas at Harvard, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 08/01/2005 - 11/27/2005
  • Edgar Degas: The Last Landscapes Views of Saint-Valery-sur-Somme in Context, Columbus Museum of Art, Columbus, 10/13/2006 - 01/21/2007
  • Edgar Degas: A Strange New Beauty, The Museum of Modern Art, New York, 03/22/2016 - 07/24/2016
  • Impressionism and Beyond, Saint Louis Art Museum, 01/28/2022 - 07/31/2022

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu