2004.132.16: Zugspitze and the Two Waxensteins
PrintsThe print shows in the upper left, a range of three white peaks with male faces, long white feathered strokes descending from broad noses, eyes looking either forward or to the right, above is printed das drei Höllenthalapitzen. On the right are three peaks, growing taller from front to back. The front two have male faces. The face in the peak is obscured by a raised glass. A smaller peak with a figure atop it is in the left foreground, printed next to it is das ettaler Mandl.
Identification and Creation
- Object Number
- 2004.132.16
- People
-
Emil Nolde, German (Nolde, Germany 1867 - 1956 Seebüll, Germany)
- Title
- Zugspitze and the Two Waxensteins
- Other Titles
-
Series/Book Title: Mountain Postcards
Original Language Title: Zugspitze und die beiden Waxensteine - Classification
- Prints
- Work Type
- postcard, print
- Date
- c. 1897
- Culture
- German
- Persistent Link
- https://hvrd.art/o/52865
Physical Descriptions
- Medium
- Photomechanical print on white wove paper
- Technique
- Photomechanical print
- Dimensions
- sheet: 14 x 9 cm (5 1/2 x 3 9/16 in.)
State, Edition, Standard Reference Number
- Standard Reference Number
- Reuther 21
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Busch-Reisinger Museum, Gift of Barbara Butts and Michael Parke-Taylor in honor of Peter Nisbet
- Copyright
- © Nolde Stiftung Seebüll, Germany
- Accession Year
- 2004
- Object Number
- 2004.132.16
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
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Descriptions
- Description
-
The postcard bears the printed signature "E. Hansen."
Printed at l.l.: F. Killinger, Zürich. Nr. 21.
In the image Nolde also labels "Die drei Höllenthalspitzen" and "Das Ettaler Mandl."
Exhibition History
- 32Q: 1440 Secessionism: Munich, Vienna, Berlin (Expressionism), Harvard Art Museums, Cambridge, 10/03/2019 - 06/03/2021
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu