Harvard Art Museums > 2012.1.69: Circular Impressed Disk Artists' Tools Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Circular Impressed Disk , 2012.1.69,” Harvard Art Museums collections online, Nov 15, 2024, https://hvrd.art/o/5013. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2012.1.69 Title Circular Impressed Disk Classification Artists' Tools Work Type mold Date 4th century BCE Places Creation Place: Ancient & Byzantine World, Europe, Tarentum-Taras (Calabria) Period Classical period, Late, to Early Hellenistic Culture Greek Persistent Link https://hvrd.art/o/5013 Physical Descriptions Medium Terracotta Technique Molded Dimensions 11.5 x 1.5 cm (4 1/2 x 9/16 in.) Provenance Recorded Ownership History Taranto, Italy, (before 1924) purchase; by Walton Brooks McDaniel, New Jersey (?-1943/46) gift; to the Department of the Classics, Harvard University, (1943/46-2012) transfer; to the Harvard Art Museums, 2012. Note: Walton Brooks McDaniel gave a portion of his collection to the Department of the Classics in 1943 and the rest in 1946. The Collection is named for his late wife, Alice Corinne McDaniel. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Transfer from the Alice Corinne McDaniel Collection, Department of the Classics, Harvard University Accession Year 2012 Object Number 2012.1.69 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description This intact terracotta circular disk, with a rectangular pierced tang at the bottom, bears the impression of more than two dozen symbols. From top to bottom, starting with the upper register, the objects can be identified as a grape bunch over a crescent moon, tongs, two amphorae or kantharoi flanking three distaffs (for spinning) above an owl, and a four-spoked wheel; in the second register, there is a distaff with wool wound around it, a club, trident, distaff, caduceus, patera or offering bread, lighting bolt, scabbard, torch with flame arching to the right, and a ladder-shape, possibly an Apulian sistrum (a type of musical instrument). In the third register, there are three round offering cakes, a wavy symbol that could be a bow or serpent or cuttlefish above a square tablet, a lyre above an open hand, a bird (an eagle or a dove) facing right above an infinity symbol (either an open box mirror or cymbals) above a strigil or Egyptian sistrum, next to two difficult to read objects, of which one might be an oil flask. Commentary The use of these types of disks, sometimes called "dischi sacri" ("sacred disks"), is not entirely understood. Several are known, found in Italy, particularly in the south and around ancient Taras/Tarentum (Taranto). Some are in relief, but most have the symbols impressed into the disk. The disks often bear many of the same motifs, some arranged in similar configurations from object to object. The objects may represent divinities--some common associations like Zeus with the thunderbolt, Hephaistos with the tongs, Poseidon with the trident, Hermes with the caduceus, Apollo with the lyre, and Athena with the owl are very clear--but many are in fact everyday items that are not necessrily associated with any particular god or goddess. They may, therefore, represent a mixture of sacred and profane objects, a selection of offerings, or as Prof. McDaniel suggested in his 1924 article about these disks, items loosely associated with the city of Tarentum. Favoring the latter explanation, McDaniel suggested that the symbols formed a "compound seal" used in commerce, associated with Tarentum. They would have been impressed in wax or on clay to form seal impressions that would be particularly difficult to duplicate due to their complexity. Publication History Walton Brooks McDaniel, The Holiness of the Dischi Sacri, American Journal of Archaeology (1924), 28.1, pp. 24-46 Nancy Hirschland and Mason Hammond, "Stamped Potters' Marks and Other Stamped Pottery in the McDaniel Collection", Harvard Studies in Classical Philology, Harvard University Press (Cambridge, MA, 1968), Vol. 72, pp. 369-82, p. 381-82, pl. 2 John Crawford, Sidney Goldstein, George M. A. Hanfmann, John Kroll, Judith Lerner, Miranda Marvin, Charlotte Moore, and Duane Roller, Objects of Ancient Daily Life. A Catalogue of the Alice Corinne McDaniel Collection Belonging to the Department of the Classics, Harvard University, ed. Jane Waldbaum, Department of the Classics (unpublished manuscript, 1970), T26, p. 43 [D. W. Roller] Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu