2025.23: Shattered
Multiples
Identification and Creation
- Object Number
- 2025.23
- People
-
Felekşan Onar
- Title
- Shattered
- Classification
- Multiples
- Work Type
- multiple, sculpture
- Date
- 2023
- Period
- Modern
- Culture
- Turkish
- Persistent Link
- https://hvrd.art/o/382866
Location
- Location
-
Level 2, Room 2550, Art from Islamic Lands, The Middle East and North Africa
Physical Descriptions
- Medium
- Mold-blown glass and gold paint
- Technique
- Mold-blown glass
- Dimensions
- Length × diameter: 18 × 6 cm (7 1/16 × 2 3/8 in.) each
Provenance
- Recorded Ownership History
- Felekşan Onar, Turkey, (created 2023), sold; to Harvard Art Museums, 2025.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Purchase through the generosity of Ann B. Goodman
- Accession Year
- 2025
- Object Number
- 2025.23
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
- These seven glass birds created by the contemporary Turkish Artist, Felekşan Onar (b. 1966), are part of a series named “Shattered” after the devastating earthquakes in Türkiye (Turkey) and Syria in 2023. Onar’s multi-colored glass swallows are made in the mold-blown technique and are hollow inside. All seven birds are shown perched, as if unable to fly. Four birds are painted minimally with gold lines. By painting these gold lines, Onar mimics the Japanese Kintsugi technique of repairing broken pottery with gold and draws attention to the “resilience and transformative power that emerge from adversity.” While the glass birds serve as symbols of both fragility and strength, the gold lines represent the healing that takes place after such natural disasters. Onar also emphasizes “the beauty that arises from imperfections and the profound journey of transformation.”
Exhibition History
- 32Q: 2550 Islamic, Harvard Art Museums, Cambridge, 10/28/2024 - 10/31/2025
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu