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Gallery Text

Nuestra Señora de Belén is one of the patron saints of the city of Cuzco, Peru. This painted representation is based on a famous sculpture that is paraded through the streets of Cuzco on the feast of Corpus Christi. After celebrations, the statue is returned to its niche above the altar at the Convent of Santa Clara, a lay community founded in 1549 for the education and protection of young women of mestizo (Indigenous and European) ancestry.

Though the artist(s) and the donor are unidentified, the scale of the painting and the specificity of the donor’s features speak to the stylistic and technical virtuosity of Roman Catholic painting by and for Indigenous communities in the Andes during colonial rule. The visual language of “Cuzco School” paintings draws equally upon local Indigenous cosmologies, Native expertise in pigments and textiles, and European conventions of pose, gesture, and scale to compose works both sumptuous and didactic.

Identification and Creation

Object Number
TL42611.1
People
Unidentified Artist
Title
Our Lady of Bethlehem with Portrait of an Indigenous Donor
Other Titles
Original Language Title: Nuestra Señora de Belén con un retrato de donante indígena
Classification
Paintings
Work Type
painting
Date
18th century
Places
Creation Place: South America, Peru, Cuzco
Culture
Peruvian
Persistent Link
https://hvrd.art/o/382580

Location

Location
Level 2, Room 2240, European and American Art, 17th–19th century, The Arts in the Eighteenth–Century Atlantic World
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Physical Descriptions

Medium
Oil and gold on canvas
Dimensions
243 × 160 cm (95 11/16 × 63 in.)
frame: 267.3 × 185.4 × 6.4 cm (105 1/4 × 73 × 2 1/2 in.)

Acquisition and Rights

Credit Line
Collection of Carl & Marilynn Thoma Foundation
Object Number
TL42611.1
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Exhibition History

  • 32Q: 2240 18th Century, Harvard Art Museums, Cambridge, 08/06/2024 - 01/01/2050

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu