Harvard Art Museums > 2022.282: Protome of Dionysos Sculpture Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Protome of Dionysos , 2022.282,” Harvard Art Museums collections online, Dec 18, 2024, https://hvrd.art/o/377053. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2022.282 Title Protome of Dionysos Classification Sculpture Work Type sculpture Date 4th century BCE Places Creation Place: Ancient & Byzantine World, Europe, Boeotia Period Classical period Culture Greek Persistent Link https://hvrd.art/o/377053 Physical Descriptions Medium Painted terracotta Technique Mold-made Dimensions H. 16.8 × W. 14.1 × D. 6.4 cm (6 5/8 × 5 9/16 × 2 1/2 in.) Provenance Recorded Ownership History Louis-Joseph-Raphaël Collin [1], Paris, (by 1890-1911), sold; to William A. Clark [2], New York, (by 1911-1925), bequest; to Corcoran Gallery of Art, Washington, D.C., (1926-2018) [3], transferred; to American University Museum, Washington, D.C., (2018-2021), sold; [through Sands of Time, Washington, D.C.]; to Harvard Art Museums, 2022. 1. Louis-Joseph-Raphaël Collin (1850-1916) 2. William Andrews Clark (1839-1925) 3. Following the closure of the Corcoran Gallery in 2014, its collections were physically transferred to the National Gallery of Art (Washington, D.C.); the Corcoran Board of Trustees retained ownership until the collections were officially transferred to and accessioned into other museums’ collections (in 2018, in this case). Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Kelekian Fund Accession Year 2022 Object Number 2022.282 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description This terracotta object depicts the head of a mature man in relief. Bearded and mustachioed, he also wears a wide, low polos (a high cylindrical headdress or crown), under which his hair parts to each side in waves, with curling ringlets framing his face. On the line dividing his hair and his polos are two piercings that would have allowed this object to be hung. Original coloration is still present: the face is red; eyebrows are black; eyes are black and white; the beard is covered in white. Traces of gray or blue pigment are visible on the polos and the sides of the headdress flanking the hair. Accretion is present across the surface. The terracotta has been mended from several large fragments; there is a loss (missing fragment) from the lower right corner, where traces of glue are visible at the break. The upper and lower left corners are also slightly chipped. Commentary This bearded male face is a depiction of the god Dionysos. This object type is often called a “protome”: a depiction of a head, bust, or forepart of a human (or divinity) or animal. The specific type here is also sometimes referred to as a “mask; however, it is not a wearable mask. Protomes like this may have been dedicated at sanctuaries, suspended by means of the holes in the lower part of the polos,[1] or placed in burials.[2] They may, also, have been displayed in domestic contexts. Other protomes of Dionysos often take the form of a bust of Dionysos in a chthonic mode: he holds an egg and a rooster or kantharos.[3] [1] While these need not be understood literally (as representing “actual” scenes of worship), depictions on painted vases sometimes show masks of Dionysos mounted on walls or pillars/columns, such as on some of the so-called “Lenaia Vases” (e.g., Metropolitan Museum of Art 75.2.21) or a late fifth-century red-figure chous found in Peiraios Street, Athens, attributed to the Etretria Painter (Athens, Ephorate 3500 = Beazley Archive Pottery Database 28128), on which a mask is depicted in profile, hanging on a pillar. [2] For example, terracotta protomes (masks and busts) of Dionysos were excavated at the necropolis of Halai in Lokris. There, female protomes were found placed against the exterior of sarcophagi. (Goldman, H., and F. Jones. 1942. "Terracottas from the Necropolis of Halae." Hesperia: The Journal of the American School of Classical Studies at Athens 11 (4):365-421: p. 369. Walker, A.L., and H. Goldman. 1915. "Report on Excavations at Halae of Locris." American Journal of Archaeology 19 (4):418-37. P. 429, fig. 5.) [3] E.g., British Museum 1875,0309.21 https://www.britishmuseum.org/collection/object/G_1875-0309-21 and 1874,0305.71 https://www.britishmuseum.org/collection/object/G_1874-0305-71 ). Publication History Corcoran Gallery of Art, ed., Illustrated handbook of the W. A. Clark collection, Corcoran Gallery of Art (Washington, DC, 1928), p. 111, no. 2591 Corcoran Gallery of Art, ed., Illustrated handbook of the W.A. Clark Collection, Corcoran Gallery of Art (Washington, DC, 1932), p. 110, no. 2591 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu