Harvard Art Museums > 2021.388: Amphora (storage jar): Poseidon and Giants; Peleus and Thetis Vessels Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Amphora (storage jar): Poseidon and Giants; Peleus and Thetis , 2021.388,” Harvard Art Museums collections online, Jan 08, 2025, https://hvrd.art/o/371270. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2021.388 Title Amphora (storage jar): Poseidon and Giants; Peleus and Thetis Classification Vessels Work Type vessel Date c. 500 BCE Places Creation Place: Ancient & Byzantine World, Europe, Attica Period Archaic period Culture Greek Persistent Link https://hvrd.art/o/371270 Physical Descriptions Medium Terracotta Technique Black-figure Dimensions 43.2 × 27.9 cm (17 × 11 in.) Provenance Recorded Ownership History Hoyt Miller, (1883-1957), Kings Point, Long Island, NY, estate sale; to Lottie and Mark Salton, Hartsdale, New York, (1957- 2021), bequest; to the Harvard Art Museums. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Lottie Salton Accession Year 2021 Object Number 2021.388 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description This black-figure amphora (storage jar) depicts two mythological scenes, each with a protagonist at home in the sea. On one side, the sea god Poseidon, trident in hand and naked but for a mantle slung over his shoulders, attacks two helmeted warriors with shields, who seem to stand little chance at victory. This is a scene from the gigantomachy, the battle of the gods against the giants (gigantes), sons of the earth, Gaia. According to the myth, Poseidon crushed the giant Polybotes with a piece of the island of Kos that he broke off and that would become the smaller isle of Nisyros. Here, Nisyros is depicted as a large boulder that the god carries on his left shoulder. Matching the overall maritime theme, the shield device of the giant on the right is an octopus. It is painted in white, as are the other giant’s shield and the island to be. On the other side of the vessel, Peleus holds on to the sea nymph Thetis as she shifts shapes in the futile effort to escape him. Her body is turned to the right, away from her assailant; she pushes back against his head with one hand and with the other pleads with a woman, likely one of her sisters, who flees to the left. Peleus, with nude upper body and a cloak wrapped around his hips, has emerged between the two women to capture his divine prey. Snarling lions by Thetis’ side indicate her fierce resistance and changing shape. As it had been prophesized that Thetis’ son would be more powerful than his father, Thetis had become unattractive to gods. Her marriage to the mortal Peleus would produce the mighty hero Achilles. An incised graffiti, likely a trademark, is on the underside of the vessel’s foot. The amphora has been recomposed from multiple fragments with inpainting covering the seams. Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu
