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Painting of trees growing in varying stages throughout a brown hillscape.

Oil painting depicting trees of varying heights dotted atop a hillside. All of the trees feature a light or dark brown trunk with bright green leaves sprouting from the top. None of the trees bear fruit. The brown, grass-free nature of the ground could suggest it is pre- or post-growing season. Varying shades of warm-toned browns mark the hillside, occasionally interrupted by the cool, grey-brown shadows of the trees. The sky above and behind the trees is bright blue and largely cloudless.

Identification and Creation

Object Number
2021.181
People
Jean-Baptiste-Camille Corot, French (Paris 1796 - 1875 Ville d'Avray)
Title
Apple Trees on a Hillside near Saint-Lô
Other Titles
Former Title: Pommiers sur le versant d'un coteau (environs de Saint-Lô)
Former Title: Apple Trees on a Hillside
Former Title: Pommiers sur le versant d’un coteau, près Saint-Lô
Former Title: Landscape of Trees in Sand
Classification
Paintings
Work Type
painting
Date
c. 1850
Culture
French
Persistent Link
https://hvrd.art/o/370192

Physical Descriptions

Medium
Oil on canvas
Dimensions
47.5 × 57 cm (18 11/16 × 22 7/16 in.)
framed: 64 × 74.1 cm (25 3/16 × 29 3/16 in.)
Inscriptions and Marks
  • seal: verso, top stretcher, red wax: VENTE / Corot
  • label: verso, top of frame, red border: [typewritten:] COROT EXHIBITION 1960 / [printed:] The Art Institute of Chicago / [typewritten:] 105.60 APPLE TREES ON A HILL- / SIDE, 1845-50 / Mr. & Mrs. Arthur K. Solomon / 27 Cragie Street, Cambridge, / Massachusetts / Cat. No. 62
  • label: verso, top left stretcher, ripped, black ink: [ripped] 11 [underlined]
  • inscription: verso, right side of frame, white chalk: [erased] NER [possibly WEITZNER]
  • label: verso, top of stretcher, two labels: [left label]: [printed:] S. E. No. [typewritten:] 2398.2 / [printed:] MUSEUM OF FINE ARTS / BOSTON, MASSACHUSETTS / SPECIAL LOAN EXHIBITION / OF / [typewritten:] Peter Bent Brigham Tour [right label:] [printed:] Title [typewritten:] Landscape / [printed:] Artist [typewritten:] Corot / [printed:] Owner [typewritten:] Dr. & Mrs. Arthur K. Solomon / [printed:] Address [typewritten:] 27 Craigie Street / Cambridge, Mass.
  • inscription: verso, upper right of frame, blue crayon: 40 [encircled] IP
  • inscription: verso, top stretcher, red chalk: [illegible text] 74

Provenance

Recorded Ownership History
The artist's estate, sold [through Vente Corot, Hotel Drouot, Paris, May 26, 1865, lot 381]; to M. Martin. [Julius H. Weitzner, New York and London], sold; to Arthur K. Solomon, Cambridge, October 1, 1954; The Arthur K. and Mariot F. Solomon Trust, bequest; to Harvard Art Museums, 2021

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection
Accession Year
2021
Object Number
2021.181
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Catalogue des Tableaux, Études, esquisses, dessins et eaux-fortes par Corot…, auct. cat., Hôtel Drouot (Paris, May 26, 1875), p. 236, lot 381
  • Alfred Robaut, L'oeuvre De Corot, Henri Floury (Paris, 1905), p. 200, no. 563
  • Corot, 1796-1875: An Exhibition of His Paintings and Graphic Works, exh. cat., The Art Institute of Chicago (Chicago, 1960), p. 21, cat. no. 62
  • Arthur K. Solomon, Marjorie B. Cohn, Angela Creager, and Robert Köhler, Arthur Kaskel Solomon: Transcripts of Interviews Sponsored by the Oral History Committee, Harvard Medical School, 1993-1995 (Boston, 1997), pp. 412-415

Exhibition History

  • Corot, 1796-1875: An Exhibition of His Paintings and Graphic Works, The Art Institute of Chicago, Chicago, 10/05/1960 - 11/13/1960

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu