Harvard Art Museums > 2022.245: Goat Finial Sculpture Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Goat Finial , 2022.245,” Harvard Art Museums collections online, Dec 18, 2024, https://hvrd.art/o/369983. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2022.245 Title Goat Finial Classification Sculpture Work Type statuette, sculpture Date 9th century BCE Places Creation Place: Ancient & Byzantine World, Asia, Luristan (Iran) Period Iron Age Culture Iranian Persistent Link https://hvrd.art/o/369983 Physical Descriptions Medium Bronze Technique Cast, lost-wax process Dimensions 9.3 × 4.8 × 1.5 cm (3 11/16 × 1 7/8 × 9/16 in.) Provenance Recorded Ownership History [Charles D. Kelekian, New York (by 1952-1982)], by descent; to [Kelekian Associates, New York (1982-1992)], by descent; to Nanette Rodney Kelekian, New York (1992-2021), bequest; to the Harvard Art Museums. NOTE: "Kelekian Associates" was formed at the death of Charles D. Kelekian by Nanette Rodney Kelekian and her mother Beatrice Kelekian. Upon Beatrice Kelekian’s death in 1992, ownership passed to Nanette Rodney Kelekian. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Nanette B. Kelekian Accession Year 2022 Object Number 2022.245 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Representations of rampant, confronted goats or ibexes are frequent among the so-called finials from Iron Age Luristan in western Iran. The function of the objects of which these finials formed part remains enigmatic, but likely was largely symbolic. A vertical support would have been inserted through the two rings that join the animal’s front and back legs (here, the diameter of the opening at the base is 0.8 cm). It has been suggested that this could have been a small branch, creating the overall image of animals flanking a tree so common in the art of the ancient Middle East. The goats have relatively short horns with a single protuberance each, long pointed ears, large eyes, beards, and stubby tails. Their slender bodies are barely articulated, and their hind legs are not separated. It has been proposed that these simplified but fairly naturalistically rendered animals are of an earlier date than the highly stylized creatures of finals such as 1931.5. The smooth, rounded forms suggest that the different elements of the finial were modeled in wax, joined, and then invested in a clay mold and cast in bronze. The patina is dark brown with patches of darker and lighter green and a few spots of red corrosion underneath; light brown accretions cover part of the surface. Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu