2021.191: Sketch for Portrait of Olivier Bro
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 2021.191
- People
-
Théodore Géricault, French (Rouen 1791 - 1824 Paris)
- Title
- Sketch for Portrait of Olivier Bro
- Classification
- Drawings
- Work Type
- drawing
- Date
- c. 1818-1819
- Culture
- French
- Persistent Link
- https://hvrd.art/o/359179
Physical Descriptions
- Medium
- Brown ink on off-white laid paper
- Dimensions
-
6.2 × 5.7 cm (2 7/16 × 2 1/4 in.)
mount: 9.2 × 7.5 cm (3 5/8 × 2 15/16 in.)
frame: 21.1 × 19.1 × 3.7 cm (8 5/16 × 7 1/2 × 1 7/16 in.) - Inscriptions and Marks
-
- inscription: mount, below drawing, brown ink: A mon ami / le Duc de Trévise / souvenir de l'enfant au chien / et du boule Dogue, par / Gericault. Bon Bro du Comères
- label: back of frame, octagonal label with blue border: [printed:] No. / [inscribed, graphite:] Duc de Trévise / et son cadre [?]
Provenance
- Recorded Ownership History
-
General Louis Bro (1781-1844), by descent; to his son, Olivier Bro de Comères (1813-1874), until at least 1924. [1] Édouard Napoléon César Edmond Mortier, Duc de Trévise (1883-1946), Paris, until at least 1939. [2] [Schaeffer Galleries, New York]. [Julius Weitzner, New York and London and R.L.]; [3] sold; to Arthur K. Solomon, Cambridge, 1952; The Arthur K. and Mariot F. Solomon Trust, bequest; to Harvard Art Museums, 2021
[1] Baron Bro de Comères is listed as the owner of the related painting in the 1924 exhibition catalogue
[2] Duc de Trévise is listed as the lender of the painting to the 1939 "French Romantic Artists" exhibition
[3] According to the Weitzner stockbooks, a half share of the painting was owned with "R. L."
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection
- Accession Year
- 2021
- Object Number
- 2021.191
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Germain Bazin, Théodore Géricault: Etude critique, documents, et catalogue raisonné, Wildenstein Institute (Paris, France, 1987 -1997), vol. 5, p. 84, fig. 40, p. 245, no. 1737, repr. p. 245 (before and after stain and inscription)
Exhibition History
- The Romantic Circle: French Romantic Painting, Delacroix and his Contemporaries, Wadsworth Atheneum Museum of Art, 10/15/1952 - 11/30/1952
- Mutiny: Works by Géricault, Harvard Art Museums, Cambridge, 09/01/2018 - 01/06/2019
- The Solomon Collection: Dürer to Degas and Beyond, Harvard Art Museums, Cambridge, 05/24/2025 - 08/17/2025
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu