Harvard Art Museums > 2016.194: Storage Jar Vessels Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Storage Jar (David Drake) , 2016.194,” Harvard Art Museums collections online, Dec 26, 2024, https://hvrd.art/o/356376. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Gallery Text This jar is the earliest known vessel signed and dated by David Drake, an enslaved African American potter who made alkaline-glazed stoneware jars and jugs in the Edgefield District of South Carolina in the mid-19th century. Also known as Dave the Potter, Drake dated and frequently signed his vessels; occasionally he inscribed them with rhyming couplets. On the shoulder of this jar, Drake inscribed the date (“January 27, 1840”), his name, and a reference to his owner (“Mr. Miles,” or Lewis Miles). Sturdy jars and jugs like these are fundamentally the products of enslavement; they were produced by slaves for Southern plantations, which required substantial, durable vessels to preserve and store food for a large labor force. Drake’s pottery stands out, however, because it advertised his skill and literacy at a time when it was illegal for slaves to read and write in South Carolina. Identification and Creation Object Number 2016.194 People David Drake, American (Edgefield County, South Carolina c. 1800 - c. 1870 probably Edgefield County, South Carolina) Title Storage Jar Classification Vessels Work Type vessel Date 1840 Culture American Persistent Link https://hvrd.art/o/356376 Location Location Level 2, Room 2100, European and American Art, 17th–19th century, Centuries of Tradition, Changing Times: Art for an Uncertain Age View this object's location on our interactive map Physical Descriptions Medium Stoneware Dimensions 41 × 38 cm (16 1/8 × 14 15/16 in.) Inscriptions and Marks inscription: incised into vessel, under rim: Mr Miles Dave \\ inscription: incised into vessel, under rim: January 27th 1840 inscription: upper left, above inscription: [5 punctures] Provenance Recorded Ownership History Jimmy Smith, Greenville, South Carolina, 1980s, sold; to Tom Smith, Shelby, North Carolina, sold; [through Phil Winged, Clover South Carolina]; to Dr. John Hoar, Huntsville, Alabama, sold; [through Robert Hunter British and American Porcelain and Pottery], sold; to Harvard Art Museums, 2016. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Anonymous Fund in memory of Henry Berg; bequest of Grenville L. Winthrop, by exchange; gift of C. R. Simpkins, "A Tribute to the Class of 1892.", by exchange; gift of Mrs. Henry James, by exchange; and gift of Mrs. George R. Agassiz, by exchange Accession Year 2016 Object Number 2016.194 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History "New Acquisitions", American Ceramic Circle Newsletter, American Ceramic Circle (Williamsburg, Virginia, Fall 2017), pp. 21-31, p. 23, repr. Sophie Lynford, Natalia Vieyra, and Joanna Sheers Seidenstein, "In Honor of Juneteenth", Index Magazine, Harvard Art Museums ([e-journal], June 19, 2020), https://www.harvardartmuseums.org/article/in-honor-of-juneteenth, accessed June 29, 2020 Exhibition History 32Q: 2100 19th Century, Harvard Art Museums, Cambridge, 11/01/2017 - 11/08/2018; Harvard Art Museums, Cambridge, 09/04/2021 - 01/01/2050 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 08/31/2019 - 01/08/2020 Related Articles In Honor of Juneteenth June 19, 2020 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu