10.2015: Manuscript of Du'a-yi Davazdah Imam (The Prayer of Twelve Imams) by Khwaja Nasir al-Din Tusi, and other prayers
Manuscripts
This object does not yet have a description.
Identification and Creation
- Object Number
- 10.2015
- Title
- Manuscript of Du'a-yi Davazdah Imam (The Prayer of Twelve Imams) by Khwaja Nasir al-Din Tusi, and other prayers
- Classification
- Manuscripts
- Work Type
- manuscript
- Date
- 1836
- Places
- Creation Place: Middle East, Iran
- Period
- Qajar period
- Culture
- Persian
- Persistent Link
- https://hvrd.art/o/352085
Physical Descriptions
- Medium
- Ink, colors, and gold on paper; wooden binding
- Dimensions
- 19 x 12 cm (7 1/2 x 4 3/4 in.)
Provenance
- Recorded Ownership History
-
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015.
Note:
Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Loan from A. Soudavar in memory of his mother Ezzat-Malek Soudavar
- Object Number
- 10.2015
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
-
The manuscript contains 18 folios (including two flyleaves) and opens with an illuminated sarlawh. The text is copied in large naskh, 12 lines to a page. All text folios are decorated with gold floral motifs in the margins and interlinear gilding.
The name of God is written in gold throughout the text.
The manuscript was penned by Ahmad Shamlu in 1252/1836 according to the colophon. Ahmad b. Muhammad Husayn Shamlu Mashhadi (d. 1267/1848, Mashhad) was a prolific scribe, who was also the calligraphy tutor of Fath Ali Shah’s son.
The binding is made of light brown wood with a leather spine. The covers are intricately carved with flowers, two birds and a butterfly. The inside covers are plain wood painted in golden shades.
Related Objects
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu