2014.395: A Manuscript of Zad al-Ma'ad by 'Allamah Majlesi
Manuscripts
This object does not yet have a description.
Identification and Creation
- Object Number
- 2014.395
- Title
- A Manuscript of Zad al-Ma'ad by 'Allamah Majlesi
- Classification
- Manuscripts
- Work Type
- manuscript
- Date
- 1696, 1862
- Places
- Creation Place: Middle East, Iran
- Period
- Safavid period
- Culture
- Persian
- Persistent Link
- https://hvrd.art/o/351917
Physical Descriptions
- Medium
- Watercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard (covers) Ink, gold, and colors on paper (text)
- Dimensions
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20.3 × 13.2 × 3.7 cm (8 × 5 3/16 × 1 7/16 in.)
Text area: 15.4 × 8.7 cm (6 1/16 × 3 7/16 in.) - Inscriptions and Marks
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inscription:
Cover:
راقمه اقل العبد لطفعلی الشیرازی ۱۲۷۹
It was painted by the least of slaves Luft Ali Shirazi 1862-63
اقل الحاج عبدالوهاب مذهب باشی ۱۳۰۰
The lowliest Abd al-Vahhab, chief illuminator, [possibly] 1882-83
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inscription:
Provenance
- Recorded Ownership History
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Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014.
Note:
Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of A. Soudavar in memory of his mother Ezzat-Malek Soudavar
- Accession Year
- 2014
- Object Number
- 2014.395
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
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This copy of Zad al-Ma'ad by 'Allamah Majlesi opens with an illuminated frontispiece with a large illuminated sarlawh at the beginning of the text. It is copied in naskh script in 22 lines to a page in black ink. A large section of the text is translated into Persian after each line in nastaliq script in red ink. The last 17 folios are in Persian. The colophon includes the completion date of the book by the author, Ramadan 1107 H (April 1696) in Isfahan. The scribe signs his name Muhammad Hashim al-Lu'lu'i al-Isfahani, copied in 1130 H (1717).
The lacquer binding, which belongs to a later phase, is decorated with a bird perching on a rose branch. It is signed by the artist Lutf 'Ali Shirazi and dated 1279 (1862). The signature of `Abd al-Vahhab, Chief Illuminator, and the date1300 H (1882) is written minutely in the lower border. The inside covers are plain reddish-brown with gilded borders.
Publication History
- Massumeh Farhad and Mary McWilliams, ed., A Collector’s Passion: Ezzat-Malek Soudavar and Persian Lacquer, Harvard Art Museums and Freer/Sackler Galleries, Smithsonian Institution (Cambridge, MA/Washington, D.C., 2017), p. 102, cat. 21
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu