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Identification and Creation

Object Number
2014.341
People
Abu'l-Hasan Ghaffari Naqqash-Bashi Sani` al-Mulk
Title
Pen Box with Shams-i Tabrizi Casting Rumi's Book into the Water
Classification
Artists' Tools
Work Type
pen box
Date
c. 1861-1866
Places
Creation Place: Middle East, Iran
Period
Qajar period
Persistent Link
https://hvrd.art/o/351858

Physical Descriptions

Medium
Opaque watercolor, gold-colored pigments, copper alloy particles, and lacquer over brass layer on pasteboard
Dimensions
3.5 × 3.7 × 21.2 cm (1 3/8 × 1 7/16 × 8 3/8 in.)
Inscriptions and Marks
  • inscription:
    Top




    زهی مُصوّرِ سحرآفرین صنیع‌الملک

    که صُنعِ کلکش صورت دهد معانی را

    بر این قلمدان بنگر که از بدایعِ کلک

    قلم کشیده سراپا نُقوشِ مانی را



    How admirable is the magic-creator painter Sani’ al-Mulk!

    The creations of his pen give form to meanings.

    Behold this pen box which with the novelties of the pen

    Has obliterated the entire paintings of Mani.



    Sides (within pendants worn by young dervishes)

    يا علي

    O, Ali! (Ali ibn Abi Talib)

Provenance

Recorded Ownership History
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014.

Note:
Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of A. Soudavar in memory of his mother Ezzat-Malek Soudavar
Accession Year
2014
Object Number
2014.341
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with a central cartouche, with is flanked by birds amidst floating bouquets. The central image depicts a well-known episode when Shams Tabrizi casts Mawlana’s book into the water, as related in Haji Bektas Veli’s Maqalat (Conversations). The sides are covered with birds and floating blossoms interspersed with portrait busts of young and old dervishes. The base and compartment are painted with a minute gold arabesque on a red background.

Publication History

  • Massumeh Farhad and Mary McWilliams, ed., A Collector’s Passion: Ezzat-Malek Soudavar and Persian Lacquer, Harvard Art Museums and Freer/Sackler Galleries, Smithsonian Institution (Cambridge, MA/Washington, D.C., 2017), pp. 78-79, ill.; p. 134, cat. 105

Exhibition History

  • 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 08/17/2017 - 01/07/2018

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu