top Photo © President and Fellows of Harvard College
Identification and Creation
Object Number
Muhammad Baqir Samirumi
Pen Box with European Women in Medallions
Artists' Tools
Work Type
pen box
Creation Place: Middle East, Iran, Isfahan
Qajar period
Persistent Link
Physical Descriptions
Oil paint, gold-colored pigments, and lacquer on pasteboard
3.6 × 3.3 × 19.8 cm (1 7/16 × 1 5/16 × 7 13/16 in.)
Inscriptions and Marks
  • inscription: 303 Samīrumī 1337
    303 [abjad for Baqir] Samirumi, 1918-19
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014.

Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Acquisition and Rights
Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of A. Soudavar in memory of his mother Ezzat-Malek Soudavar
Accession Year
Object Number
Asian and Mediterranean Art
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Cover and sliding compartment with rounded ends. The top is decorated in vertical format with three cartouches of European women. In the center, a full-length woman stands in a pink floor-length dress; above and below are bust-length portraits. The sides are composed in a similar manner with an oblong cartouche in the center that features animals in a landscape, with small riverine landscapes to the left and right. On the base an arabesque is painted in gold on a black background. The artist Muhammad Baqir Samirumi sometimes added the number 303 to his signature. It has been suggested that this stands for the name “Baqir,” the letters of which have this numerical value.
Publication History

Massumeh Farhad and Mary McWilliams, ed., A Collector’s Passion: Ezzat-Malek Soudavar and Persian Lacquer, Harvard Art Museums and Freer/Sackler Galleries, Smithsonian Institution (Cambridge, MA/Washington, D.C., 2017), p. 159, cat. 181

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at