Harvard Art Museums > 2014.298: Relief (Series B) Sculpture Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Relief (Series B) (Charlotte Posenenske) , 2014.298,” Harvard Art Museums collections online, Nov 24, 2024, https://hvrd.art/o/351659. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Gallery Text In the 1960s, a rich transatlantic dialogue informed the development of minimalist sculpture. Adapting the principles of seriality and repetition explored by American artists such as Donald Judd and Sol LeWitt, Posenenske responded to Germany’s postwar “economic miracle” and to the democratizing social movements of the 1960s. She made prototypes of sculptures to serve as the basis for authorized productions, to be industrially made at low cost at a later date. Posenenske envisioned her sculptures as modular objects that could be installed in multiple configurations. Series B consists of sheet aluminum folded and arched in convex and concave forms sprayed with standardized industrial colors. In 1968, with her reputation rising, Posenenske became disillusioned by the inevitability of commodification and stopped making art. “Art could not contribute to the solution of urgent social problems,” she declared. Instead, she pursued sociology and later became a union organizer. Identification and Creation Object Number 2014.298 People Charlotte Posenenske, German (Wiesbaden, Germany 1930 - 1985 Frankfurt am Main, Germany) Title Relief (Series B) Classification Sculpture Work Type sculpture Date 1967, fabricated 2014 Culture German Persistent Link https://hvrd.art/o/351659 Location Location Level 1, Room 1100, Modern and Contemporary Art, The Sixties Experiment/Multiple Strategies View this object's location on our interactive map Physical Descriptions Medium Yellow spray paint on sheet aluminum Dimensions 100 x 49.8 x 14 cm (39 3/8 x 19 5/8 x 5 1/2 in.) Provenance Recorded Ownership History [Peter Freeman, Inc., New York], sold; to the Harvard Art Museums, 2014. Acquisition and Rights Credit Line Harvard Art Museums/Busch-Reisinger Museum, Purchase in memory of Eda K. Loeb Copyright © Courtesy of the Estate of Charlotte Posenenske, Frankfurt am Main, Germany, and Peter Freeman, Inc., New York / Paris © Estate of Charlotte Posenenske/Burkhard Brunn, Frankfurt Accession Year 2014 Object Number 2014.298 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Exhibition History 32Q: 1100 60’s Experiment, Harvard Art Museums, Cambridge, 11/16/2014 - 04/10/2018; Harvard Art Museums, Cambridge, 11/16/2014 - 04/07/2025; Harvard Art Museums, Cambridge, 10/04/2021 - 01/01/2050 32Q: 4000 Study Center Reception, Harvard Art Museums, Cambridge, 11/16/2014 - 10/03/2019 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu