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Gallery Text

In the 1960s, a rich transatlantic dialogue informed the development of minimalist sculpture. Adapting the principles of seriality and repetition explored by American artists such as Donald Judd and Sol LeWitt, Posenenske responded to Germany’s postwar “economic miracle” and to the democratizing social movements of the 1960s. She made prototypes of sculptures to serve as the basis for authorized productions, to be industrially made at low cost at a later date. Posenenske envisioned her sculptures as modular objects that could be installed in multiple configurations. Series B consists of sheet aluminum folded and arched in convex and concave forms sprayed with standardized industrial colors. In 1968, with her reputation rising, Posenenske became disillusioned by the inevitability of commodification and stopped making art. “Art could not contribute to the solution of urgent social problems,” she declared. Instead, she pursued sociology and later became a union organizer.

Identification and Creation
Object Number
2014.296
People
Charlotte Posenenske, German (Wiesbaden, Germany 1930 - 1985 Frankfurt am Main, Germany)
Title
Relief (Series B)
Classification
Sculpture
Work Type
sculpture
Date
1967, fabricated 2014
Culture
German
Persistent Link
https://hvrd.art/o/351657
Physical Descriptions
Medium
Yellow spray paint on sheet aluminum
Dimensions
100 x 49.8 x 14 cm (39 3/8 x 19 5/8 x 5 1/2 in.)
Provenance
[Peter Freeman, Inc., New York], sold; to the Harvard Art Museums, 2014.
Acquisition and Rights
Credit Line
Harvard Art Museums/Busch-Reisinger Museum, Purchase in memory of Eda K. Loeb
Copyright
Courtesy of the Estate of Charlotte Posenenske, Frankfurt am Main, Germany, and Peter Freeman, Inc., New York / Paris © Estate of Charlotte Posenenske/Burkhard Brunn, Frankfurt
Accession Year
2014
Object Number
2014.296
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
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Exhibition History

32Q: 4000 Study Center Reception, Harvard Art Museums, Cambridge, 11/16/2014 - 10/03/2019

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu