Harvard Art Museums > 2011.99: The Young Maharaja of Indore in Durbar Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"The Young Maharaja of Indore in Durbar , 2011.99,” Harvard Art Museums collections online, Nov 05, 2024, https://hvrd.art/o/337596. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2011.99 Title The Young Maharaja of Indore in Durbar Classification Paintings Work Type painting Date c. 1850 Places Creation Place: South Asia, India, Madhya Pradesh, Indore Culture Indian Persistent Link https://hvrd.art/o/337596 Physical Descriptions Medium Opaque watercolor and gold on paper Dimensions 52 x 42 cm (20 1/2 x 16 9/16 in.) Provenance Recorded Ownership History Ismail Merchant, [Christie's London, 7th October 2009, Lot 134] sold; to [Simon Ray, London, August 2011] sold; to Harvard Art Museums. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Richard Norton Memorial Fund Accession Year 2011 Object Number 2011.99 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Occupying the center of this painting is a princely youth, identified by Naveen Patnaik as Tukaji Rao Holkar II (1836-86). The young maharaja is seated in durbar on a low, red upholstered throne with scrolling arms and backrest. Richly dressed in jewels and a green garment, he is flanked by ten courtiers, all dressed in white robes seated with legs akimbo. An attendant stands behind the maharaja lofting a floral standard or fan. All twelve figures are rendered in strict profile, but the maharaja is distinguished by a green nimbus ringed in gold. Each courtier has before him a plate holding drinks and "pan", while the maharaja holds a sprig of flowers. Rendered in imperfect single point perspective, the hall has pink walls that are pierced on one side by horseshoe arches that open to a cloud-filled sky. The floor is checkered in blue and white tiles and the black ceiling is painted in gold foliate patterns. Three grand chandeliers of European design hang from the ceiling and matching sconces are affixed to the walls and pillars. Large mirrors framed in green occupy the back and side walls. Publication History Naveen Patnaik and Stuart Cary Welch, A Second Paradise: Indian Courtly Life, 1590-1947, Doubleday & Co. (Garden City, NY, 1985), fig. 45 Exhibition History Recent Acquisitions, Part II: Building the Collection, Harvard Art Museums, Cambridge, 06/19/2012 - 09/29/2012 Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu
