Harvard Art Museums > 2017.216: Epigraphic Textile Textile Arts Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Epigraphic Textile , 2017.216,” Harvard Art Museums collections online, Dec 22, 2024, https://hvrd.art/o/336999. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2017.216 Title Epigraphic Textile Classification Textile Arts Work Type textile Date 17th-18th century Places Creation Place: Middle East, Iran Persistent Link https://hvrd.art/o/336999 Physical Descriptions Medium Silk, woven with complementary wefts, inner warps, and binding warps in plain weave (taqueté) Dimensions 36.5 x 84.1 cm (14 3/8 x 33 1/8 in.) framed: 94.3 x 46.4 x 7.6 cm (37 1/8 x 18 1/4 x 3 in.) Provenance Recorded Ownership History [Ahuan Gallery, through Oliver Hoare, London, 26 April 1976], sold; to Edwin Binney, 3rd, California (1976-1986), bequest; to Harvard Art Museums, 2017. NOTE: Stored at the San Diego Museum of Art from some time before 1986 until 1991, then at the Los Angeles County Museum of Art from 1991-2011. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, The Edwin Binney, 3rd Collection of Turkish Art at the Harvard Art Museums Accession Year 2017 Object Number 2017.216 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The design of this textile panel consists entirely of religious texts and invocations, disposed in wide horizontal bands in thuluth script, alternating with narrow bands in kufic script. The two largest bands feature pious invocations (O Generous! O Merciful! God is greatest!) that are set within a traditional pattern of eight-pointed stars and crosses. The middle band contains a well-known phrase that praises `Ali ibn Abi Talib and his legendary two-bladed sword Dhu’l-Fiqar. The band at the bottom contains chapter 112 from the Qur’an (Sura al-Ikhlas). The minute kufic inscriptions have not yet been deciphered. These religious invocations and Qur’an 112 often appear in funerary contexts, suggesting that this textile may have been part of a tomb cover. Although patched and repaired along the left side, much of the panel appears to be a continuous fabric. Because it has been trimmed on all sides, it does not preserve selvedges or a full-loom width. The textile was woven on a draw loom, and its technical repeat unit measures about 23.3 cm in weft direction. All the inscriptions begin along the same vertical (warp) axis. In its faded condition, the textile appears as a tan ground with thuluth inscriptions in yellow and off-white and kufic inscriptions in dark blue and two-shades of green. A small and highly fragmentary textile at the Yale University Art Gallery (1937.4787) appears to be from the same textile; it partially preserves a text panel that is missing here. Texts الله أكبر God is greatest. يا حنان يا منان O Generous! O Merciful! لا فتى إلا علي لا سيف إلا ذو الفقار There is no hero like `Ali; there is no sword like Dhu’l-Fiqar Qur’an 112 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu