2010.449.1-35: XXXIV Drawings for Dante's Inferno
Portfolios
This object does not yet have a description.
Identification and Creation
- Object Number
- 2010.449.1-35
- People
-
Robert Rauschenberg, American (Port Arthur, TX 1925 - 2008 Captiva Island, FL)
Published by Harry N. Abrams, Inc.
- Title
- XXXIV Drawings for Dante's Inferno
- Classification
- Portfolios
- Work Type
- portfolio
- Date
- 1964
- Culture
- American
- Persistent Link
- https://hvrd.art/o/336278
Physical Descriptions
- Technique
- Collotype
- Dimensions
-
each sheet: 36.8 x 31.8 cm (14 1/2 x 12 1/2 in.)
portfolio case: 47.6 x 47 x 5.7 cm (18 3/4 x 18 1/2 x 2 1/4 in.) - Inscriptions and Marks
-
- inscription: in pencil 2 page vero: Rauschenberg
Provenance
- Recorded Ownership History
- Leo Castelli Gallery, New York, NY (1964); Theodore E. Stebbins, Jr. (1964-2010); Harvard Art Museum
State, Edition, Standard Reference Number
- Edition
- 259/300
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Theodore E. Stebbins Jr. in honor of Marjorie Cohn
- Copyright
- © Robert Rauschenberg / Artists Rights Society (ARS), New York
- Accession Year
- 2010
- Object Number
- 2010.449.1-35
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
-
Title on Portfolio Cover: Drawings for Dante's "Inferno".
Each portfolio includes (as written on the last page of the essay):
35 facsimile drawings
Essay by Dore Ashton
1 signed copy of 1 out of 7 lithographs created by Rauschenberg for this album (not included in this copy). Each print is mounted in a folder that corresponds to one of the 34 cantos. The artist and the author of the essay used John Ciardi's translation of the "Inferno". The original drawings were completed between 1959 and 1960. They entered MOMA's collection in 1963, where they remain.
Exhibition History
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu