Harvard Art Museums > 2023.201: Anishinaabe delegate to the 1826 Treaty of Fond du Lac; believed to be a Chippewa/Ojibwe diplomat and medal-holder from the Gichigamiwininiwag or Gichi-ziibiwininiwag Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Anishinaabe delegate to the 1826 Treaty of Fond du Lac; believed to be a Chippewa/Ojibwe diplomat and medal-holder from the Gichigamiwininiwag or Gichi-ziibiwininiwag (Henry Inman) , 2023.201,” Harvard Art Museums collections online, Jan 09, 2025, https://hvrd.art/o/333010. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2023.201 People Henry Inman, American (Utica, NY 1801 - 1846 New York, NY) Title Anishinaabe delegate to the 1826 Treaty of Fond du Lac; believed to be a Chippewa/Ojibwe diplomat and medal-holder from the Gichigamiwininiwag or Gichi-ziibiwininiwag Other Titles Former Title: Ojibwa Man Classification Paintings Work Type painting Date c. 1832-1834 Culture American Persistent Link https://hvrd.art/o/333010 Location Location Level 2, Room 2200, European and American Art, 17th–19th century, The Emergence of Romanticism in Early Nineteenth-Century France View this object's location on our interactive map Physical Descriptions Medium Oil on canvas Dimensions 76.2 x 64.1 cm (30 x 25 1/4 in.) Provenance Recorded Ownership History Mark Hollingsworth and Edmund I. Tileston (Hollingsworth and Tileston Paper Company); to Edmund P. Tileston and Amor Hollingsworth; gift of their heirs to the Peabody Museum of Archaeology and Ethnology, 1882, transfer; to Harvard Art Museums, 2023 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Transfer from the Peabody Museum of Archaeology and Ethnology, Harvard University, gift of the heirs of E. P. Tileston and Amor Hollingsworth, 1882 Accession Year 2023 Object Number 2023.201 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History A Festival of Western American Art at Hirschl and Adler, October 12-November 17, 1984, auct. cat., Hirschl & Adler Galleries (New York, 1984), p. 15, no. 2-27 or 2-28 Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press (U.S.) and Harvard Art Museums (Cambridge and New Haven, 2014), pp. 29, 292-94, cat. 249, ill. Cristina Morilla, "Conservation as Cultural Practice: The Portrait Collection of Indigenous Delegates by Henry Inman", Studies in Conservation (March 21, 2024), passim, fig. 1 Cristina Morilla and Studies in Conservation, Conservation as Cultural Practice: The Portrait Collection of Indigenous Delegates by Henry Inman, Studies in Conservation (https://doi.org/10.1080/00393630.2024.2328383, March 21, 2024), Figure 1, Page 2 Exhibition History 32Q: 2200 19th Century, Harvard Art Museums, Cambridge, 11/04/2024 - 10/01/2025 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
