Harvard Art Museums > 2023.203: [Pah-she-pah-how] (The Stabber), Sauk Delegate Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"[Pah-she-pah-how] (The Stabber), Sauk Delegate (Henry Inman) , 2023.203,” Harvard Art Museums collections online, Nov 26, 2024, https://hvrd.art/o/332994. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2023.203 People Henry Inman, American (Utica, NY 1801 - 1846 New York, NY) Title [Pah-she-pah-how] (The Stabber), Sauk Delegate Classification Paintings Work Type painting Date c. 1832-1834 Culture American Persistent Link https://hvrd.art/o/332994 Physical Descriptions Medium Oil on canvas Dimensions 77.5 x 65.3 cm (30 1/2 x 25 11/16 in.) Provenance Recorded Ownership History Mark Hollingsworth and Edmund I. Tileston (Hollingsworth and Tileston Paper Company); to Edmund P. Tileston and Amor Hollingsworth; gift of their heirs to the Peabody Museum of Archaeology and Ethnology, 1882, transfer; to Harvard Art Museums, 2023 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Transfer from the Peabody Museum of Archaeology and Ethnology, Harvard University, gift of the heirs of E. P. Tileston and Amor Hollingsworth, 1882 Accession Year 2023 Object Number 2023.203 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Thomas Loraine McKenney and James Hall, Catalogue of One Hundred and Seventeen Indian Portraits: representing eighteen different tribes, accompanied by a few brief remarks on the character &c. of most of them (Philadelphia, 1836), p. 10 Thomas Loraine McKenney and James Hall, History of the Indian Tribes of North America: with biographical sketches and anecdotes of the principal chiefs, Volume I, Edward C. Biddle (Philadelphia, 1836-1837), p. 95, ill. fo lithograph opp. p. 95 William Garrott Brown, A List of Portraits in the Various Buildings of Harvard University, Harvard University Library (Cambridge, MA, 1898), p. 34 James David Horan, The McKenney-Hall portrait gallery of American Indians, Crown Publishers Inc. (New York, 1972), pp. 194-195, ill. of lithograph A Festival of Western American Art at Hirschl and Adler, October 12-November 17, 1984, auct. cat., Hirschl & Adler Galleries (New York, 1984), p. 18, no. 2-42 Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press (U.S.) and Harvard Art Museums (Cambridge and New Haven, 2014), pp. 29, 294-95, cat. 251, ill. Cristina Morilla, "Conservation as Cultural Practice: The Portrait Collection of Indigenous Delegates by Henry Inman", Studies in Conservation (March 21, 2024), passim Exhibition History One Hundred and Seventeen Indian Portraits, Masonic Hall, Philadelphia, 04/01/1836 - 05/31/1836; [Unknown Venue, New York], 07/01/1836 - 07/31/1836; [Unknown venue, Boston], 08/01/1836 - 08/31/1836; Cosmorama Rooms, London, London, 07/01/1845 - 08/31/1845 A Festival of Western American art, Hirschl & Adler Galleries, 10/12/1984 - 11/17/1984 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu