Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
2015.149
Title
Branch of Fruiting Grapes
Classification
Paintings
Work Type
painting, hanging scroll
Date
15th-16th century
Places
Creation Place: East Asia, China
Period
Ming dynasty, 1368-1644
Culture
Chinese
Persistent Link
https://hvrd.art/o/330477

Physical Descriptions

Medium
Hanging scroll; ink on paper
Dimensions
painting proper: 123.2 x 36.4 cm (48 1/2 x 14 5/16 in.)
mounting, including cord and bottom roller: 241.6 x 54 cm (95 1/8 x 21 1/4 in.)
Inscriptions and Marks
  • seal: Square red relief collector's seal, lower right corner: "Si Ding(?) Ge cang"

Provenance

Recorded Ownership History
Chu-tsing Li, Lawrence, Kansas (by 2006-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2015), gift; to Harvard Art Museums, 2015.

Footnotes:
1. Dr. Chu-tsing Li (1920-2014)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Chu-tsing Li Collection, Gift of B U.K. Li in memory of Chu-tsing Li, Yao-wen Kwang Li, and Teri Ho Li
Accession Year
2015
Object Number
2015.149
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Description
In vertical format and painted in ink on paper, this hanging scroll depicts a fruiting grapevine. Two intertwined vines enter the composition from the top center; laden with lush, broad leaves and with heavy, ripe fruit, the vines hang downward, descending toward the bottom of the paper support, at which point one vine curves slightly upward and to the right, reaching almost to the painting’s right edge. Clusters of leaves at the vines' upper and lower portions partially obscure bunches of grapes that issue from the vines behind the leaves. Curling tendrils wrap around and radiate from ends of branches. The grapes and leaves were done in the “boneless manner,” meaning that they were achieved with well-controlled washes of ink but without outlines; by contrast, the vines, stems, and leaf veins were rendered with bold ink brushstrokes. The interplay between the soft ink washes and the energetic, calligraphic brushwork injects the composition with dynamism.

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu