- Identification and Creation
-
- Object Number
- 2007.224
- People
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Emanuel Gottlieb Leutze, American (Schwäbisch-Gmünd, Germany 1816 - 1868 Washington, DC)
- Title
- The Summons
- Other Titles
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Former Title: Light and Shadow
Former Title: Entertaining the Messenger in the Outer Hall
Former Title: Entertaining the Messenger
Former Title: Light and Shade - Classification
- Paintings
- Work Type
- painting
- Date
- 1856
- Culture
- American
- Persistent Link
- https://hvrd.art/o/320161
- Physical Descriptions
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- Medium
- Oil on canvas
- Dimensions
- 79.4 x 114.9 cm (31 1/4 x 45 1/4 in.)
- Inscriptions and Marks
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- Signed: l.r.: E Leutze/56
- Provenance
- Charles M. Leupp, New York, 1856-1860; William McDonald, Baltimore, 1867; Mrs. Harold Colvocoresses, 1943; with S. John Esposito, Middlefield, CT; Theodore E. Stebbins Jr., Boston, MA, 1976; his gift to the Harvard University Art Museums, 2007.
- Acquisition and Rights
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- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Theodore E. Stebbins Jr.
- Accession Year
- 2007
- Object Number
- 2007.224
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- Publication History
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"Chronique de New-York: Exposition de l'Academie nationale de dessin", Courier des Etats-Unis (New York, May 25, 1857), p. 2
"Emanuel Leutze", Illustrirte Zeitung (Leipzig, Germany, July 4, 1857), pp. 11-13, ill. p. 12
"Sketchings", The Crayon (July 1857), IV, p. 223
"The National Academy of Design", New York Tribune (New York, May 23, 1857), p. 5, p. 5
"Art Resources", Cosmopolitan Art Journal (March 4, 1859), p. 85
Exhibition of a Valuable Collection of Oil Paintings Comprising the Most Recent and Important Works of E. Leutze, Esq., auct. cat. (May 7, 1863), cat. 15
Henry T. Tuckerman, Book of the Artists: American Artist Life, Comprising Biographical and Critical Sketches of American Artists, Preceded by an Historical Account of the Rise and Progress of Art in America, Putnam (New York, NY, 1867), p. 336
Friedrich von Boetticher, Malerwerke des Neunzehnten Jahrhunderts, F. v. Boetticher (Dresden, Germany, 1891 - 1901), p. 858, cat. 26
Century Association, Exhibition of Works by Emanuel Leutze, exh. cat. (New York, 1946), p. 95, no. 65
Barbara S. Groseclose, Emanuel Leutze, 1816-1868, Freedom Is the Only King, Smithsonian Institution for the National Collection of Fine Arts (Washington D.C., 1976), no. 83
Carol Troyen, A Private Eye: Fifty Nineteenth-Century American Paintings, Drawings, & Watercolors from the Stebbins Collection, exh. cat., The Heckscher Museum of Art (Huntington, NY, 1977), no. 35
James T. Callow, "American Art in the Collection of Charles M. Leupp", The Magazine Antiques (November 1980), vol.118, p. 1000, pl. 5
Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press (U.S.) and Harvard Art Museums (Cambridge and New Haven, 2014), pp. 35, 336-37, cat. 299, ill.
Monika Boosen and Joachim Haller, Emanuel Leutze: Leben und Werk, exh. cat. (Schwäbisch Gmünd, 2016), p. 99
- Exhibition History
-
National Academy of Design Annual 1857, National Academy of Design, 01/01/1857 - 12/31/1857
A Private Eye: Fifty Nineteenth-Century American Paintings, Drawings, & Watercolors from the Stebbins Collection, The Heckscher Museum of Art, Huntington, 09/30/1977 - 11/06/1977; George Walter Vincent Smith Art Museum, Springfield, 11/22/1977 - 01/08/1978
- Subjects and Contexts
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Collection Highlights
Google Art Project
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This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu