Harvard Art Museums > 2013.163: Clearing after Snow Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Clearing after Snow (Wan Qingli 萬青力) , 2013.163,” Harvard Art Museums collections online, Dec 26, 2024, https://hvrd.art/o/319287. This object does not yet have a description. Identification and Creation Object Number 2013.163 People Wan Qingli 萬青力, Chinese (Beijing 1945 - 2017) Title Clearing after Snow Classification Paintings Work Type painting, hanging scroll Date 1983 Places Creation Place: North America, United States, New York Culture Chinese Persistent Link https://hvrd.art/o/319287 Physical Descriptions Medium Hanging scroll; ink and color on paper, with artist’s inscription, dedication, signature, and seals Dimensions painting proper: 68 x 49.4 cm (26 3/4 x 19 7/16 in.) full mounting: 192.2 x 71.5 cm (75 11/16 x 28 1/8 in.) Inscriptions and Marks Signed: Upper right, black ink: Your student, Wan Qingli, in New York (Chinese brush-written characters followed by a red seal reading "Wan") inscription: brush-written in upper right of painting, translates as follows: "Clearing after Snow. The aim of my life is to find enjoyment in mountains and trees. I feel embarrassed to promote my painting reputation to people. I hid my scrolls, burned incense, and laid down a fresh piece of paper. The bright moon illuminated the drizzly night. I painted this in the summer of the guihai year [1983], as I was lonely after my arrival in a foreign country. Sending this to my teacher, Professor Chu-tsing, for his comment, and to his wife, Yaowen, for her amusement. Your student, Wan Qingli, in New York." seal: three artist's seals: 1) Square red relief seal, following signature: "Wan" 2) Square red intaglio pictorial seal, following first seal: "Shan" 3) Square red relief informal seal, lower left corner: "Qingli you Mei suozuo" Provenance Recorded Ownership History Wan Qingli, New York (1983), gift; to Chu-tsing Li, Lawrence, Kansas (1983-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin, (2012-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Dr. Chu-tsing Li (1920-2014) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, The Chu-tsing Li Collection, Gift of B U.K. Li in honor of Chu-tsing Li and in memory of Yao-wen Kwang Li and Teri Ho Li Copyright © Estate of Wan Qingli Accession Year 2013 Object Number 2013.163 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Austerity and quietude pervade this landscape of angular forms with delicate lines for the barren trees and gentle shading on the massive, moonlit, snow-covered rocks and hills. Through rhythmic brushwork, the artist has created a structure of horizontals and verticals, layered to evoke a feeling of gentle movement. Wan Qingli’s work reflects his diverse background and training. Growing up in Beijing, he learned classical poetry and painting from Li Keran (1907–1989) and from Lu Yanshao (1909–1993). Yet his self-expressive means reveal a propensity for synthesizing old and new. This landscape is markedly different from classical snowscapes. A feeling of starkness and modernity pervades the otherwise timeless mountain scene. Reflections in the icy water create an impression of moonlight, and the low vantage point suggests the artist’s experimentation with picture space. The artist’s inscription alludes to painting on a moonlit, drizzly night and to his loneliness, since the work was painted while he was living in America. He dedicated the painting to his new teacher in America, Chu-tsing Li, and to his wife, Yao-wen Li. Publication History Robert D. Mowry and Claudia Brown, A Tradition Redefined: Modern and Contemporary Chinese Ink Paintings from the Chu-tsing Li Collection, 1950-2000, exh. cat., Harvard University Art Museums/Yale University Press (Cambridge, Mass., 2007), cat. 51 Exhibition History A Tradition Redefined: Modern and Contemporary Chinese Ink Paintings from the Chu-tsing Li Collection, 1950-2000, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 11/03/2007 - 01/27/2008; Phoenix Art Museum, Phoenix, 06/28/2008 - 09/14/2008; Norton Museum of Art, West Palm Beach, 10/11/2008 - 01/04/2009; Spencer Museum of Art, Lawrence, 02/11/2009 - 05/24/2009 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu