Harvard Art Museums > 2013.160: 1973-12 Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"1973-12 (Fong Chung-Ray (Feng zhongrui) 馮鍾睿) , 2013.160,” Harvard Art Museums collections online, Dec 18, 2024, https://hvrd.art/o/319257. This object does not yet have a description. Identification and Creation Object Number 2013.160 People Fong Chung-Ray (Feng zhongrui) 馮鍾睿, Chinese (Nanyang, Henan province born 1933) Title 1973-12 Classification Paintings Work Type painting, hanging scroll Date 1973 Culture Chinese Persistent Link https://hvrd.art/o/319257 Physical Descriptions Medium Circular painting mounted as a hanging scroll; ink and color on paper, with artist’s dated signature Dimensions painting proper: 52 cm (20 1/2 in.) full mounting: 85 x 61.9 cm (33 7/16 x 24 3/8 in.) Inscriptions and Marks Signed: Lower right, black ink: Feng Zhongrui (Chinese brush-written characters) inscription: brush-written in lower right of painting: Signed: "Feng Zhongrui No. 12 of 1973" Provenance Recorded Ownership History Feng Zhongrui, Taiwan (1973), probably gift; to Chu-tsing Li, Lawrence, Kansas (1973-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Dr. Chu-tsing Li (1920-2014) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, The Chu-tsing Li Collection, Gift of B U.K. Li in honor of Chu-tsing Li and in memory of Yao-wen Kwang Li and Teri Ho Li Accession Year 2013 Object Number 2013.160 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Reds and pinks are juxtaposed with black ink and varied hues of brown. The resulting fiery contrast adds drama to the striking forms. Although there is a gestural power in these shapes, they are constructed deliberately, just as the layering of colors is calculated. While welcoming accident and spontaneity, the artist carefully controlled his process. Feng Zhongrui, who had moved from China to Taiwan in 1949, was active in the modernist movement led by members of the Fifth Moon Group. Together with Liu Guosong, he explored concepts of abstraction and nonobjective painting, taking inspiration in part from the American abstract expressionists and enlisting Chinese media in novel ways. Publication History Robert D. Mowry and Claudia Brown, A Tradition Redefined: Modern and Contemporary Chinese Ink Paintings from the Chu-tsing Li Collection, 1950-2000, exh. cat., Harvard University Art Museums/Yale University Press (Cambridge, Mass., 2007), cat. 21 Exhibition History A Tradition Redefined: Modern and Contemporary Chinese Ink Paintings from the Chu-tsing Li Collection, 1950-2000, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 11/03/2007 - 01/27/2008; Phoenix Art Museum, Phoenix, 06/28/2008 - 09/14/2008; Norton Museum of Art, West Palm Beach, 10/11/2008 - 01/04/2009; Spencer Museum of Art, Lawrence, 02/11/2009 - 05/24/2009 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu