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Identification and Creation

Object Number
2007.81
Title
Tea Bowl with Indented Lip and Silvery-Brown Hare's-Fur Markings
Classification
Vessels
Work Type
vessel
Date
12th-13th century
Places
Creation Place: East Asia, China, Fujian Province, Jianyang
Period
Song dynasty, 960-1279
Culture
Chinese
Persistent Link
https://hvrd.art/o/319066

Physical Descriptions

Medium
Jian ware: dark gray stoneware with dark brown glaze, the markings in iron oxide, the lip banded with metal. From the kilns at Shuiji, Jianyang county, Fujian province.
Technique
Black-brown glaze
Dimensions
H. 6.8 cm x Diam. 12.9 cm (2 11/16 x 5 1/16 in.)

Provenance

Recorded Ownership History
J.J. Lally & Co., New York (dealer) (2007)
Diane H. Schafer Collection, New York (acquired in the late 1980s or early 1990s)
James Bradford Godfrey, New York (dealer) (late 1980s or early 1990s)
Mrs. Agnes Hellner Collection, Stockholm, Sweden (widow or daughter of J. Hellner) (1980s)
J. Hellner Collection, Stockholm, Sweden (acquired in the 1950s or 1960s)
Probably from an old Japanese collection, as indicated by the metal rim and by the bowl's mid-twentieth-century entry into a European collection

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Purchase through the generosity of Leonard P. Braus, Alan J. and Suzanne W. Dworsky, Thomas M.T. and Catherine S.K. Fok, Mark Gaston, Dorothy T. Goldman, and David M. Leventhal and Bequest of Edmund C.C. Lin, by exchange
Accession Year
2007
Object Number
2007.81
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
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Descriptions

Description
The walls of this large yankou wan, or funnel-shaped, tea bowl expand from the small, circular foot, beginning their steep ascent to the lightly indented, vertical lip at an angle approximately one-half inch above the foot. Thin at the rim, the walls thicken as they descend, so the relatively heavy bowl has a low-set center of gravity. Of standard Jian type, the short footring has a flat blottom and straight walls of intermediate thickness; also of standard type, the base is both flat and shallow. Appearing black, a dark brown glaze coats the bowl inside and out, excluding the foot and base. Although the angled change of profile arrested its flow on one side, the glaze ran to the foot in two thick tears on the other; the thick welt at the glaze's lower edge is thus irregulary configured. Denser at the mouth, a pattern of silvery brown hare's-fur markings extends to the glaze edge on the exterior and to the small, circular, lightly tilted floor on the interior. The exposed body clay on the bowl's lower eterior assumed a dark purplish brown skin in firing. The bowl was turned on the potter's wheel, after which its foot and base were shaped with a knife. Following a period of drying, the bowl was dipped in the glaze slurry; once it had dried again, its lip was immersed in an iron-bearing slip, which caused the hare's-fur streaks to form in the kiln. The bowl was fired right side up in its saggar, seated on a clay firing cushion.

Publication History

  • Robert D. Mowry, Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese brown- and black-glazed ceramics, 400-1400, exh. cat., Harvard University Art Museums (Cambridge, MA, 1996), pp. 218-219, no. 82
  • Crosscurrents: Masterpieces of East Asian Art from New York Private Collections, exh. cat. (New York, 1999)

Exhibition History

  • Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu