Harvard Art Museums > 2006.182: Man Folding Dupatta Photographs Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Man Folding Dupatta (Annu Palakunnathu Matthew) , 2006.182,” Harvard Art Museums collections online, Nov 22, 2024, https://hvrd.art/o/317313. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2006.182 People Annu Palakunnathu Matthew, American (England born 1964) Title Man Folding Dupatta Classification Photographs Work Type photograph Date 1997 Places Creation Place: North America, United States, Rhode Island, Providence Culture American Persistent Link https://hvrd.art/o/317313 Physical Descriptions Medium Gelatin silver print Technique Gelatin silver print Dimensions 12.7 x 12.7 cm (5 x 5 in.) Inscriptions and Marks signature: Signed and edition number in pencil on margin Provenance Recorded Ownership History Annu Palakunnathu Matthew, Rhode Island, created by, 1997, 1997. SEPIA/Alkazi Collection of Photography, New York, purchased from the artist, 2006, sold to HUAM, 2006. State, Edition, Standard Reference Number Edition 1/10 Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Purchase through the generosity of Anne Marie Doyle in honor of Mary McWilliams and Kimberly Masteller Copyright © Annu Palakunnathu Matthew courtesy sepiaEYE, NYC Accession Year 2006 Object Number 2006.182 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description A scene from an early Udaipur morning. A man folds a freshly dyed and dried headscarf. Two people stretch the Duppatta as it billows in the soft morning light, compositionally dividing the image in half. The man's bust is mirrored in his shadow on the scarf. A laundry sign is visible in the background, and the cement shines with water. The vignetting around the edges of the image evokes an ethereal and timeless mood. Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu
