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Identification and Creation

Object Number
2007.126
People
Kenneth Armitage, British (Leeds 1916 - 2002 London)
Title
Sprawling Woman
Classification
Sculpture
Work Type
sculpture
Date
1969
Culture
British
Persistent Link
https://hvrd.art/o/316433

Physical Descriptions

Medium
Bronze
Dimensions
66.04 cm (26 in)
Inscriptions and Marks
  • Signed: Signed with initials, dated 69 and numbered 1/6
  • inscription: "KA 69" "1/6" on bottom of work

Provenance

Recorded Ownership History
William S. Lieberman, bequest; to Harvard University Art Museums, 2007.

State, Edition, Standard Reference Number

Edition
Ed. 1/6

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of William S. Lieberman
Copyright
© Kenneth Armitage Foundation
Accession Year
2007
Object Number
2007.126
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Descriptions

Commentary
Kenneth Armitage has exhibited worldwide and is recognized as one of the major British sculptors of the twentieth century. He was born in Leeds, Yorkshire and studied at Leeds College of Art and at the Slade School of Fine Art, London. Armitage's early works were carved in stone, but in the post-war years he began casting in bronze, initially using plaster and later clay modeled on metal armatures. By the 1960s he had begun working with wax, resin and aluminum. He first attracted international attention at the 26th Venice Biennale in 1952 as one of a group of young British sculptors including Reg Butler, Lynn Chadwick, and Eduardo Paolozzi, who are all represented in the Fogg collection.

Armitage's solid, bulky forms articulate strong horizontal and vertical lines through their protruding attenuated limbs. Of Armitage's rendering of the human form, Roland Penrose writes, "The idioms used by him, such as the melting together of two or more bodies, the unison of their movement, the stretching, probing gestures of slender limbs, even the small mushroom-shaped heads that contribute to the monumental scale of the massive body beneath them, all these features characteristic of his work convey a playful affectionate attitude." The horizontal thrust of Figure on Back is complemented by the verticality of Family Group (n.d.), also in the Harvard Art Museum's collection, and there is a direct relationship with the charcoal drawing, Reclining Figure (1957) in the Drawings Department.

Publication History

  • Kenneth Armitage, Bodensee-Verlag Amriswil (Zurich, 1960), p. 23
  • Kenneth Armitage: Life and Work, Lund Humphries (London, 1997), p. 43

Related Works

Verification Level

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