Harvard Art Museums > 2010.454: Colors of Mount Emei (Emeishan se) Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Colors of Mount Emei (Emeishan se) (Dong Shouping 董壽平) , 2010.454,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/315532. This object does not yet have a description. Identification and Creation Object Number 2010.454 People Dong Shouping 董壽平, Chinese (1904 - 1997) Title Colors of Mount Emei (Emeishan se) Classification Paintings Work Type painting, hanging scroll Date mid-20th century Places Creation Place: East Asia, China Culture Chinese Persistent Link https://hvrd.art/o/315532 Physical Descriptions Medium Hanging scroll; ink and colors on paper; with signature reading "Dong Shouping" and artist's seal reading "Shou Ping" Dimensions painting proper: H. 40.4 x W. 67.8 cm (15 7/8 x 26 11/16 in.) mounting, with cord and roller ends: H. 167.6 x W. 90.5 cm (66 x 35 5/8 in.) mounting silk only: H. 160 x W. 84.5 cm (63 x 33 1/4 in.) Inscriptions and Marks Signed: Dong Shouping inscription: title and signature, lower left, brush-written in Chinese characters: "Emeishan se, Dong Shouping" seal: artist's seal, following signature: square, red, relief seal reading "Shou Ping" Provenance Recorded Ownership History Edmund Lin (1928-2006; Professor, Harvard Medical School), Boston; by bequest to the Harvard Art Museum Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Edmund Chi Chien Lin Accession Year 2010 Object Number 2010.454 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Dong Shouping (1904-1997) painted this short hanging scroll in ink and colors on paper. It depicts Mt. Emei's famous and very colorful sunrise. A mass of rocks--presumably the mountain's summit--occupies the left half, and more, of the painting, its diagonally set ridges alternating with valleys. The waterfall that emerges from a valley in the painting's lower left corner disappears into the mist at the bottom of the painting. Pines cluster around the lone, simple house that is perched at the right edge of the mountain mass. Their details obscured by mist, distant peaks occupy the right portion of the composition. The uppermost portion of the painting is blank, suggesting the sky. Because Mt. Emei is famous for its colorful sunrise, the artist has employed a warm orange as the painting's dominant color. The painting was mounted in Japan and thus boasts a traditional Japanese mounting with free-moving futai ornaments. This painting is not dated by inscription; we have dated it to c. 1961 on the basis of its stylistic similarity to the other Lin-bequest painting by Dong Shouping--which also represents Mt. Emei and also shows warm orange tones--which is dated by inscription to 1961. The artist, Dong Shouping (1904-1997), was born in Hongdong, Shanxi province, in 1904. He received a BA in economics from Eastern University, Beijing, in 1926, after which he began to paint by studying masterworks of traditional painting on the then newly established National Palace Museum, Beijing. By 1931 he had become well-known as a connoisseur of Chinese painting and as a professional painter of birds and flowers; at that time he began to hone his skills as a landscape painter. During the Sino-Japanese War (1937-45, i.e., World War II), Dong Shouping lived in Chengdu, Sichuan province; in order to broaden his skill as a landscape painter, he traveled as widely as circumstances permitted, taking in as many varied landscape types as he could. It was during these years that he came to know and love Mt. Emei. After both the Sino-Japanese and Chinese Civil wars had ended, Dong Shouping took up residence in Beijing. In 1953 he joined Rongbaozhai Art Publishing House, Beijing, as a specialist in woodblock printing; he worked there until 1965, where he retired. He served as honorary chairman of the Beijing Society for the Research of Traditional Chinese Paintings, and he was a member of the Chinese Artists' Association. Mt Emei sits at the western rim of the Sichuan Basin; at 3,099 meters (10,167 ft), it is the highest of China's Four Sacred Buddhist Mountains. The "patron saint" of Mt. Emei is the Buddhist Bodhisattva Samantabhadra, known in Chinese as Puxian Pu. Mt. Emei was made a UNESCO World Heritage Site in 1996. Mt. Emei enjoys a special reverence in the minds of traditional Chinese as it is the location of the first Buddhist temple built in China in the first century CE. The site boasts seventy-six Buddhist monasteries dating to the Ming and Qing periods, most of them located near the mountain's top. Mt. Emei is famous for its colorful spectacles, which include the sunrise and the Clouds Sea both of which are best seen from the mountain's Golden Summit and both of which have been considered famous natural wonders for centuries. The sunrise is varied, but optimally begins with the ground and sky being in the same dark purple, soon showing rosy clouds, followed by a bright purple arc and then a semicircle where the sun is coming up. The Clouds Sea includes several cloud phenomena, e.g. clouds appearing in the sky above, in addition to the regular clouds beneath. Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu