2006.9.1-16: Dispersed Perspective (One-Point) R.W.B.
PhotographsA white wall with a graphite grid drawn on it. There are 16 staggered black squares throughout the grid. Some squares have fragments of slanted red,white, and blue grids. The bottom pieces have larger, red and white grid fragments. The top pieces have smaller, blue grid fragments.
Identification and Creation
- Object Number
- 2006.9.1-16
- People
-
Mel Bochner, American (Pittsburgh, PA 1940 - 2025)
- Title
- Dispersed Perspective (One-Point) R.W.B.
- Classification
- Photographs
- Work Type
- photograph
- Date
- 1967?
- Culture
- American
- Persistent Link
- https://hvrd.art/o/312562
Physical Descriptions
- Medium
- Spray lacquer on gelatin silver print cut into 16 parts and mounted on Masonite, and graphite on wall
- Technique
- Gelatin silver print
- Dimensions
-
overall: 80 x 80 in. (203.2 x 203.2 cm)
each panel: 10 x 10 in. (25.4 x 25.4 cm)
Provenance
- Recorded Ownership History
- Mel Bochner, New York, New York, sold; to Harvard University Art Museums, 2006.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Purchase through the generosity of Martin and Deborah Hale, Carol and Sol Lewitt, Markus Michalke, Gabriella De Ferrari, Arthur M. Cohen, Kenneth L. Freed, Nancy B. Tieken, and the Richard Norton Memorial Fund in honor of Linda Norden
- Copyright
- © Mel Bochner
- Accession Year
- 2006
- Object Number
- 2006.9.1-16
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
- Dispersed Perspective (One Point): R. W. B. is a striking, multi-part wall work that comprises mounted, colored photographs picturing portions of a perspectival grid, placed within another, non-perspectival grid, drawn in pencil on the wall. The work culminates a series of constructed photographic works that Bochner made in 1967 as part of an investigation described as "demonstrating by proxy the disparity... between the idealized Renaissance 'construction' of perspective and the 'reality' of how we see it."
Publication History
- Scott Rothkopf, Mel Bochner photographs, 1966-1969, Harvard University Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2002), Fig 16
Exhibition History
- Nominally Figured: Recent Acquisitions in Contemporary Art, Harvard University Art Museums, Cambridge, 06/08/2006 - 02/25/2007
- 32Q: 1100 60’s Experiment, Harvard Art Museums, Cambridge, 10/13/2016 - 04/07/2017
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu