2006.55: A Flux Atlas
Multiples
This object does not yet have a description.
Identification and Creation
- Object Number
- 2006.55
- People
-
Robert Watts, American (Burlington, IA 1923 - 1988 Martins Creek, PA)
Designed by George Maciunas, American (Kaunas, Lithuania 1931 - 1978 Boston, MA)
Published by Fluxus, American
- Title
- A Flux Atlas
- Classification
- Multiples
- Work Type
- multiple
- Date
- 1973
- Culture
- American
- Persistent Link
- https://hvrd.art/o/312540
Physical Descriptions
- Medium
- Mixed media
- Technique
- Mixed technique
- Dimensions
- 12 x 9 x 2.5 cm (4 3/4 x 3 9/16 x 1 in.)
State, Edition, Standard Reference Number
- Standard Reference Number
- S. 520, ff.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Margaret Fisher Fund
- Accession Year
- 2006
- Object Number
- 2006.55
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
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Descriptions
- Description
- A 7-compartment transparent plastic box with offset printed labels on lid, and a second printed label on internal box top listing geographic locations. Each compartment contains a small stone keyed to locations on internal label with handwritten labels.
- Commentary
- This Fluxus edition is one example of how the members of the geographically-dispersed Fluxus community could work to each other's mutual benefit. In the April, 1973 Fluxnewsletter, Maciunas sent out a call for assistance: "We need about 50 pebbles...from specific and well described locations (country, town vicinity, which beach or shore, which sea, lake or river). This is for a large Geography box by Bob Watts, which will contain pebbles from various parts of the world....All contributors will receive a box in return." In its emphasis on collective artistic production and worldwide geographic distribution, it is closely aligned with works like Mieko (Chieko) Shiomi's series of "Spatial Poems" (M26472-M26475). Where Shiomi's works existed as coordinated but ultimately ephemeral actions, gaining their physical form through the gathering of information, Watts' edition gathers physical matter itself. As is often the case, much of the work necessary to transform the object from a "box of rocks" into a "Flux Atlas" is performed by Maciunas' label design. The compartmentalization of the designation "a flux atlas by bob watts" on the label mirrors the structure of the box's interior. The label's graphic association with a premodern cartographic tradition both indicates that this atlas is founded on actual experience rather than on rational, scientific principles, and participates in the longstanding Fluxus appropriation of outmoded graphic idioms.
Exhibition History
- Multiple Strategies: Beuys, Maciunas, Fluxus, Harvard University Art Museums, Cambridge, 02/24/2007 - 06/10/2007
- 32Q: 1100 60’s Experiment, Harvard Art Museums, Cambridge, 04/07/2017 - 09/27/2017
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu