M26528: Pictures at an Exhibition
Prints
Identification and Creation
- Object Number
- M26528
- People
-
Glenn Ligon, American (Bronx, NY born 1960)
- Title
- Pictures at an Exhibition
- Other Titles
- Series/Book Title: The Paper Sculpture Show
- Classification
- Prints
- Work Type
- Date
- 2003
- Culture
- American
- Persistent Link
- https://hvrd.art/o/31246
Physical Descriptions
- Medium
- Offset photolithograph on two sheets of thin card stock
- Technique
- Photolithograph
- Dimensions
- sheet: 34 x 24.8 cm (13 3/8 x 9 3/4 in.)
Provenance
- Recorded Ownership History
- Narayan and Natasha Khandekar, gift; to Harvard University Art Museums, June 28, 2005.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Narayan and Natasha Khandekar
- Copyright
- © Glenn Ligon
- Accession Year
- 2005
- Object Number
- M26528
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
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Descriptions
- Commentary
- This print is part of the Paper Sculpture Show. What the Paper Sculpture Show consists of is seventy-seven sheets of paper, by thirty artists (including two persons working together as a single "artist"), who have each created a sculpture that is to be cut out from one to four sheets of paper and assembled by a gallery visitor. The sheets were intended to be taken away from the gallery, that is, the paper sculpture show could occur in three dimensions in any space anywhere; but in the several exhibition venues where the sheets were available, the sculptures were made up and could be viewed as completed works of art. We already have a portfolio issued in 1995 in a large edition by The Sculpture Center in New York, in which sculptors make two-dimensional distillations of their sculptural aesthetic. "The Paper Sculpture Show" takes the process much further, and is more akin to the 1968 SMS portfolios, also in our collection, where offset photolithographic "things" -- some of which requiring assembly -- are bundled together, to be unpacked by the owners of the portfolios wherever they please . Fluxus boxes, while not usually requiring any assembly on the part of their owner, also require participation, even performance. SMS and Fluxus are essentially movements of the late 1960s; the Paper Sculpture show is their grandchild.
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu